September 2024
Bio Note: Other than the few trips to my wife's family in Colorado, we continue to endure a rather hot summer here in Tucson working on a historical fiction of Degas' 1870's Paris and the peculiar collection of abonnès that frequented the Palais Garnier. My more recent work has been included in Modern Literature, Gray's Sporting Journal, (a poem on four unique dogs no less,) an acceptance from The Wallace Stevens Journal for "Notable" scheduled for publication in 2026, an essay on Alex Posey, (1873-1908, Muscogee-Creek,) poet, journalist, and satirist, from Spuyten Duyvil next year, and most recently, a review Of Hartford in Many Lights, (Grayson, 2024,) an anthology featuring poems on Hartford buildings including the Mark Twain home, The Wadsworth Antheneum, and the residence of Wallace Stevens, forthcoming from The North American Review.
My Literary Wastebasket
has been getting bigger every year, a repository of the lost and never found, a deserted hospital of still births, fragments, slips of this, wisps of that, scraps of the conscious mind, lines stilled on backs of envelopes, gum wrappers, ruminations, forgotten complaints, a promise I made to Daphne to take her to Paris in a poem that dissolved sometime last winter, and still I think these abandoned things will scutter about some night, find each other, copulate into something rich and rare, for this I toss in a few pencil stubs hoping they will collaborate with poetic bits, malformed memories that no one will believe, from a landfill of glyphs in a basket-home I cannot discard. I imagine the wastebasket an elegy to elegy, to the indecisive, the reluctant, the elusive, that in the dark, creep closer to my desk where my submission’s log is kept, to consume my rejections in one gulp to make an acceptable whole, and so my basket is a growing thing I cannot throw out, a poem itself—I imagine an ancient golden Grecian urn holding some strange hope for the lost, the might-have-been.
©2024 Michael Gessner
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