October 2024
Bio Note: I’m mostly still in isolation mode, which appears to agree with my inner hermit. I’ve used this solitary time to read books again, aiming to read 100 books a year, and to make cards. My poetry has appeared in Prairie Schooner, Atlanta Review, and The Nation. I live in rural central Virginia in the woods, surrounded by quiet and wildlife.
Masquerade
This Halloween, I’m wearing my usual disguise, no frantic digging through old clothes for bell bottoms, tunics, head bands. Invisibility is my superpower. I fade into the background, match the woodwork with my splotchy, thinning skin and hair. My eyebrows have nearly vanished. I’m quiet, no longer shouting to be heard, but I listen and I watch. Not much is lost on me, although you won’t remember our meeting or my name. As usual, I’m wearing sturdy jeans and sneakers, comfy long-sleeved shirts in dark colors, not the bold, bright prints of Laugh-In nights. Even my car is dull and boring. Lost in the sea of other Camrys painted beige, no need for a cloak of anonymity, I disappear.
Originally published in Rat's Ass Review
Ghost
for Blaise Allen We have a word now for that hurtful act of people disappearing from our lives when they don’t return calls or emails, ignore cards and messages. They seem to have crossed into another realm of souls and memory, distant as dead parents with their siblings, biology professors, those much older men I bedded in the eighties, some of whom I ghosted when I moved from my condo to a house and changed my number to unlisted. I went dark in lives for whom I’d been a light, a bright spot in their weary week. This year a blue moon coincides with Halloween. On this night, we’re told the veil thins between the worlds of the living and the dead. Those barriers are porous, permeable pellicles between me and those who’ve moved on in life or death, like my only sibling—ghost sister. Drink from this teacup with lily of the valley painted where you place your lips, and hear my mother’s bad advice. Sing “In the Still of the Night,” hit from 1956. Mix grit and spit with old words from diaries with keys. Call forth spirits.
Originally published in Aberration Labyrinth.
©2024 Joan Mazza
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