March 2024
Author's Note: I’m an avid jazz fan, and incorporate it into my writing from time to time. I don’t write about jazz per se, rather, through jazz. This is how I often access personal stuff. Hopefully we can connect here through the universal languages of music and poetry.
Jazz Paradiso
-Homage to Cinema Paradiso: Love Theme as performed by trumpeter Chris Botti I sit on the stage of a family dinner facing the pearl set in silence. What use can an old mother oyster be: just ancestor in waiting. I step closer, take her hand, see the fields where we sang, and scattered flowers. It is said that flowers cling to those who are afraid. She brushes me away into criss-cross nights, where light and shade mark up alleys, clubs, hushed martinis, runny leftovers—designed by need. Botti, your mouth cups a room where the wild oyster glides unhinged in the night play of flesh and melody, before turning to rock. Where secrets bleed out to tipsy strangers— about one family part folded inside the other like bedrock; then turbulence, scattered particles, unable to re-attach. Willed far away, yet so near, they are cliffs, staged in isolation. On the mount you stand and blow, growl, tremble, flutter, moan, cry up and down angry walls. Prophet, mouthpiece— activate the jilted ancestors, crack open the codes. Forgive us. Enter me as slow rain dissolves rock. Run your tongue, run your lips, raise your horn, slow— hold beyond holding until the note spills across forsaken skies. Entice the spirits to return, to pass on what has not been said. In this oyster room buried deep, bitten out of time, family voices rise, frame by frame, in malice, then collapse— an undressing, mouths severed from word, from blame; rather, species struck together in original song. I kneel before them and weep, here, where stars listen, in this room consecrated by the night and the melody
Originally published in MacQueen’s Quinterly in 2022
©2024 Anita Lerek
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