June 2024
Lise Goett
Lisegoett@aol.com
Lisegoett@aol.com
Bio Note: I live in the high-mountain desert of Taos, New Mexico, where each of the three cultures—Native American, Hispanic, and Anglo—retains its unique and radical difference. Each extreme keeps its extreme nature, resulting in a sensibility shaped by a landscape in which the forces of mountain, sky, sun, and desert exist together in their most concentrated and relentless forms.
When I’m not wrestling my pitbull-mix puppy, I teach generative online courses and edit poetry manuscripts for a living. My third collection The Radiant is due out from Tupelo Press on Christmas Eve 2024.
Palace
As a God-struck child kneeling at the rail, I believed more easily then I saw the dove descending to be fascicled in bread, but then my eye grew inured, and the Spirit did not visit. Today, the snow fell differently, and I untangled from the clapboard house to feed the birds, as ravenous as they for the last red berries of pyracantha; or was it the color of their bodies against the patches of snow that pulled me toward them— a red, bluer and more dull than Castilian red or carmine— the color of fall apples cupped in a porcelain lotus. I saw first gate, then palace, then the legendary halls appeared, shimmer in the sun. Draped in diadem, the Spirit hovered—unheavened, homed in spalls of ice, trees rimed with last year’s fruit on straight, flagless stems, semiquavers become quarter notes— the sweet, shriven juice of all frost’s shrivings— fleet, brief— suddenly made radiant.
Sinistra
It’s just a Thursday night in the flatlands of America. He sits down and orders an Old Fashioned. Clam rolls, all you can eat. He tells the waitress that his brother owns a restaurant in West Liberty. The brother’s hiring. He says that he wants to talk about it more but in another place. Not this HoJo’s. He’ll wait for her until her end of shift. He’ll take her in his semi to the bar across the interstate. His cab is warm, and the engine never stops running. He worries the cherry in his drink. She glances at his hands: not the hands of a man in a clean business, black crescents of motor oil beneath his nails. She meets him in the hallway outside the restaurant where some turn left, some right. Such a simple decision, which way to go. He tells her she needs to go with him. The sun is still out. It’s summer. She vacates her body. Her TV doppelganger tells him politely that she will drive in her own car. She crosses the interstate, and waits, but he never shows. A light dusting of leaves on the pavement: a preternatural fall before true autumn: the hard, rutted ground with its cropped stubble where he might have thrown her down, but he’s long gone. His semi skims the highways, the susurrus of tires on wet pavement. For years it haunts her, as she passes every boarded-up façade, in every dying town, where there’s nowhere to go, not even for a spot of coffee. It haunts her, the missing eye of that derelict bar, two towns over, gutted out. Dead, alive, it’s where she might have worked had she turned left instead of right.
©2024 Lise Goett
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