February 2024
Bio Note: My most recent poetry collection is Indigo. Among my awards are Fellowships from the Guggenheim Foundation, NEA, the Lambda Literary Award, and four Pushcart Prizes. I co-edited the first major anthology of women’s poetry, No More Masks!, and co-authored The Courage to Heal. A Chancellor Emerita of the Academy of American Poets, I teach in Pacific University’s MFA program.
How to Apologize
Cook a large fish—choose one with many bones, a skeleton you will need skill to expose, maybe the flying silver carp that's invading the Great Lakes, tumbling the others into oblivion. If you don't live near a lake, you'll have to travel. Walking is best and shows you mean it, but you could take a train and let yourself be soothed by the rocking on the rails. It's permitted to receive solace for whatever you did or didn't do, pitiful, beautiful human. When my mother was in the hospital, my daughter and I had to clear out the home she wouldn't return to. Then she recovered and asked, incredulous, How could you have thrown out all my shoes? So you'll need a boat. You could rent or buy, but, for the sake of repairing the world, build your own. Thin strips of Western red cedar are perfect, but don't cut a tree. There'll be a demolished barn or downed trunk if you venture further. And someone will have a mill. And someone will loan you tools. The perfume of sawdust and the curls that fall from your plane will sweeten the hours. Each night we dream thirty-six billion dreams. In one night we could dream back everything lost. So grill the pale flesh. Unharness yourself from your weary stories. Then carry the oily, succulent fish to the one you hurt. There is much to fear as a creature caught in time, but this is safe. You need no defense. This is just another way to know you are alive.
Originally published in The New Yorker, March 8, 2021
As Long as She Likes
On the way to the cemetery, I slept. Not in the limousine that carried my mother’s coffin but out cold in a van, the family all talking around me. I was exhausted from her suffering, her pleas— help me and enough, enough— and trying to get the morphine to stay in the ditch of her gums. How could I not have studied this in advance? The way my mother learned to give shots in nursing school, plunging the needle into an orange then practicing on the other girls. God only gives you strength for one day at a time. How many times did I hear her say this? Ask yourself, can I make this day? And then she made her last day. On the way back, the driver got lost. As we circled unfamiliar fields and trees dizzy with blossoms, we began to imagine we could buy some land. Horses. A lake. Everything seemed possible. And hilarious. We were a little hysterical, driving into the luxury of the future. I’ve never returned to my mother’s grave. But I see her every day. Here she is in short boots, coming back from the beach with a jar of seawater. Each morning she feeds me a spoonful. Minerals. It’s something she read in the Pleasantville Press. Here she’s wrapping pints and quarts in that same paper, sliding them into brown bags. She’s counting out coins into the customer’s hands, careful to touch their palms. And here in her bathrobe on a Saturday night. The store just closed. She bites into a hoagie, steak and onions, sips a beer. Tomorrow morning she can sleep late. There’s a law in New Jersey that liquor stores have to close on Sunday. A blessed law that lets my mother sleep... and then sit down with a cigarette and black coffee, one strong leg crossed over the other. She can sit there as long as she likes.
Originally published in The New Yorker, April 11, 2022
©2024 Ellen Bass
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