October 2023
Irene Voth
IreneVoth@hotmail.com
IreneVoth@hotmail.com
Author's Note: Art and other visuals often promote a dialogue within me about possible meaning and circumstance, and sometimes supper.
Wyeth’s Christina’s World
Why would she agree to such a pose? To appease the painter’s vision? To crawl out of her wheelchair on a windy autumn day to be seen the only point of interest in an otherwise dull scene? When first he framed it in his mind, did he think she wouldn't mind his depiction of a woman who can only drag her crippled feet? Toward what? A field of wheat she cannot harvest? A long- abandoned house? A lifetime of defeat? Later, did she long to be erased from his depiction of futility? Probably. But then he titled it.
To a Deli Supper
Restrained with string on legs and wings and skewered to a Ferris wheel – not that they’ll enjoy the view – rows of rotisserie chickens brown like fat bathers on a beach sans sand. As they rotate, their plump parts drip, producing a pleasant sizzling sound, and soon an aroma reminiscent of home draws me to the warm window to watch. With a couple of sides, one of these guys could be supper and also provide meaty treats for the dog and fat snacks for the cat. I like that.
Aquarium Loaches
These clowns arrayed in orange and black bop on their noses along a ridge of plastic rocks and wave red fins, like aerialists just beneath the big top – if it were top side down and underwater where fake tiki torches bubble and blink as if in Morse code to ask, “What fish?” Could stripes so orange with V’s so black and fins so red proclaim some other fish instead?
©2023 Irene Voth
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