October 2023
Bio Note: These are three portraits of people I know or knew, each set in this very southern state, Louisiana. All three of these poems are scheduled for release early next year as part of my third full length book of poetry, Squalls (Kelsay Press.) "The House Painter" first appeared in Rat's Ass Review.
Becky
In the ICU by the bedside where the respirator breathed, I stood as if I were standing with you on a cusp or a horizon in a slim bend of light at an intemperate, almost foreign border. You were silent as you had been for days, unable to be anything other than silent, listless, discolored. It was Thursday afternoon when I finally said it would be all right if you wanted to stop. Said that your daughter was driving up from New Orleans. Would be where I was soon ̶ beside the bed ̶ beside you along with Stuart. That Stu was home at that very moment, tucking sheets, tidying-up a room of grief for your daughter. You are behind the camera in all the crimson suffused sunset photos of Florida beaches, the snapped shots of the rest of us on Christmas Eve, the small bands ringing the table you’d set, lifting glasses toward your lens. There will never be another spoonful of turtle soup without you there and not there. You've been with me for every such sip at various and sundry restaurants throughout south Louisiana since you made that soup for the four of us one night in maybe '92. Soup beside which all the rest have paled. Though they have all been good enough, I guess, to keep me going through these days of tragedy and joy where you will never be again. But still a spoonful of soup, evening fog in oaks, certain lights in through window onto bric-a-brac or under chair legs on a rug seize our hearts and bring you back to us.
The House Painter
Though he was run off from Montrose High as incorrigible, everyone asks for Dex because "he could paint a pinstripe on a rooster." Dex keeps his lines impeccable, pays attention to the most minute of details. “Never a reason to rush.,” he’ll say while he exhales a Chesterfield. Dex takes only high dollar calls. One week he stirs a vibrant ochre as a dentist’s wife heads out for yoga class. The next, he rolls jade up and down a hallway while a politician in a back study explodes a string of curses into his cell phone. Dex parties and batches it until he turns 42. Then he falls for a plump, little product from Indiana who is down here as a Century 21 regional manager. They marry quiet-like at a Holiday Inn on Highway 17. His wife gives Dex a ready-made family as his of-a-sudden daughter turns eleven. Dex takes to being a dad like a lab takes to pond water. He is the one that carts the girl to soccer practice. The girl blooms under the tutelage of Dex’s level voice. So Dex is sore oppressed two years in when friends start to warn him about things they see his wife posting on FaceBook which habit he has never quite established. Seems the ambitious little lady from Indiana is living large having hooked up with a high roller in a crimson ‘Stang who is developing a subdivision where there used to be a marsh. Dex flat loves that woman and that little girl better than he loves his Coors, though his Coors proves to be the more reliable.
That Trigger of Release
Mason came, still looking dangerous as one of King Lear’s besotted knights, still lurching right each step, hip hitched by what must be stabbing lumbar pain. You could hang a hammock, catch a nap, inside his slow Tennessee drawl. Renee poured iced tea on the patio while I finished in the garden. Shoved bamboo shafts into shoveled dirt. Looped twine, tied up tomato stalks. When I finally settled into a chair Mason was telling how a friend called on a Saturday eight years ago to say, Turn on channel 141 now, it’s Cops.” He saw his daughter there. On a shadowed sidewalk his daughter propped up a tattooed lad whose ass Memphis fuzz finally cuffed and hauled off. He saw his own daughter on grimy, historic pavement. Beale Street, 3 a.m. She was fifteen. Sixteen when Mason saw her on the tube; 24 now, doing sets and lights for some struggling and amoebic theater troop. It was good, so good to sit and hear another’s troubled pauses as a thrush ducked into wisteria with a flag-leaf in its beak. Good to sit still and let the world reel. Good to slide beer down my throat as if I had no care.
©2023 Ed Ruzicka
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