October 2023
Emerson Gilmore
xemgil3@gmail.com
xemgil3@gmail.com
Bio Note: I have been writing poetry for many years and have self-published several volumes. My book, It Looks Like What I’ll Take to My Grave, Viet Nam Fifty Years Later, a collection of poems about my tour in Viet Nam, was published in 2021 and was a finalist for the North Street Book Prize. My poems have appeared in many journals here, and one was excerpted abroad in The Baltic Times. I am proud to be next to Allen Ginsberg in the index of Teaching the Art of Poetry: The Moves by Baron Wormser and David Capella, where one of my poems appears.
Funeral Financial Plan
I need death money, burial bucks, final costs covered. When I leave, my wife won’t have enough to cover me in dirt. I don’t even have six friends to bear my pall to the hole I can’t afford in the casket I cannot pay for. I worry about this now because when I die I won’t give a shit. That’s life and when I’m out of it you who carry on shouldn’t have to pay. Being unable to afford to die is no joke, especially to the undertaker whose receivables pile up with each shovelful heaped on the mound. He can’t return me. This is no Jesus and Lazarus thing. Now, how do I want to go? How many hours will I have to work at, say, twenty-five per; then, how many days will my heart and mind conspire to give me? I want to live long enough to die properly, to be laid out in a chapel surrounded by peace lilies and gladiolus, while my wife grieves, snorts into those tiny tissues the mortician provides while my brother-in-law admires the finish on the casket. Thirty thousand sounds good. At twenty-five per that’s twelve-hundred hours. Ten hours a week makes one-hundred-twenty weeks, not even three years including a vacation at Cape Cod each summer. I can do that. I feel good, like I can last another productive six or seven. At that rate I could line my casket with chinchilla pelts. Judy! Call the funeral parlor. Get a plot in Farmington. You know, next to my father. I’m going out in style. Invite whoever is still alive. And music, I want to rock the place. Oh, let Adeline know. I swear she meant nothing to me. She was just a friend. Now, bury me.
Career Counseling, 1964
I’ve heard that when the undertaker, in the course of his ministrations tweaks a nerve, the whole body twitches as if the electricity hasn’t been shut off yet, the body momentarily leaping back to life the way mourners imagine it happening right there in the middle of a prayer. I heard too that gallons of liquid must drain before the body can be filled with the formaldehyde that makes it look dead and alive. Shuffling off the mortal coil is easier said than done. How does one get used to the trade? What does the mortician have to wash off at night before sitting down to watch the TV news? Does he wonder if he’ll get the ten bodies from the massacre in Buffalo? Will he sleep better if he does or doesn’t? How does he feel about gun control? Are bullet holes neater than knife wounds? I’ve been to a lot of funerals and never once envied the man behind the once-alive, now-dead body lying in its waxen doesn’t-he-look-good repose. Mr. Peterson, high school guidance counselor, never mentioned undertaker as an undertaking for us, never said an enbalmer makes good money, those coffin salesmen make top commissions. Although Eddie Wilson of the Wilson’s Funeral Home family dressed well and had a muscle car the rest of us could only dream of, no one thought of a career in funerals. Mr. Peterson never spoke of the ovens at the crematoria, the money to be made servicing them; or the manufacturer of urns, the suppliers of gases, or the immunity of the field to recessions– the truth about death and taxes. I do not malign him for the oversight, his ignoring the usefulness of the dead to the economy, or the failure to teach us, who, on the edge of career decisions, might have wanted to know of the handsome living to be made on the dead once you get the knack.
©2023 Emerson Gilmore
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