May 2023
Bio Note: The Hungers of the World: New and Collected Later Poems, just out, joins my collected earlier poems for a complete gathering of my poetry. My deepest thanks to Jessie Lendennia and her wonderful press, Salmon Poetry, for her support. These days, my wife Nancy and I divide our time between Fairbanks, Alaska and Bellingham, Washington, where our kids and granddaughter live.
The Denali Wolf
Near the East Fork of the Toklat in the season that’s never dark I lugged my gear back from the road and while I slept through dusk a noise like trash in the suburbs being clattered away woke me up. When I stuck my head out of the tent flap the hoofed creatures were gone but what I saw at eye-level, like a fury sculpted in ice brought me to my knees. Once I’d wanted to paint a canvas some huge fanatical blue where the hungers of the world could settle and be soothed. Ten feet away, ears pricked nose flaring, the silver-gray pursuer stared me in the face, then sensing I wasn’t prey whirled off along the river, and I watched him shrink to a point in imaginary time fleet as the fastest athlete I’d ever seen in my life.
At the Farmhouse in West Branch (1965)
for Bob Grenier Your guests had to wade through a pigsty, so you’d greet us at the gate and prod those massive porkers out of the way with the handle of a broom. In back of the rented house, we strolled in the shade of walnuts and mused on our trade, while you bagged the fallen fruit— which wasn’t like stealing, you said, since they’d only rot on the ground. Inside, you laid out the treasures you’d picked up last summer at Groliers, the latest Ashbery teasers and another little-known poet whose bare-boned fluted quatrains, cold as the Minnesota sky, you’d squint and cackle at. You read the world like that—through the eyes of poetry—until sky and piglets and walnuts (which Emily baked into pies) unshackled my bookish soul and my love began to unfurl the first acceptable stanzas I ever wrote, while Emily, as her pregnancy advanced, jotted on greasy napkins, God knows how, the knock-out poem of the year in the bitchy fastidious voice of a mother sow.
©2023 John Morgan
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