March 2023
Bio Note: I am an octogenarian organic gardener living as a back-to-the-lander in the Arkansas Ozarks. In former lifetimes, I've taught English and ESL, but for nearly 50 years have gardened, created one-of-a-kind textiles in various needle arts disciplines, and more recently have been writing poetry and essays. In 2020, Stockton University Press published my family history/memoir, Back to the Land; Alliance Colony to the Ozarks in Four Generations, in which I make connections between my pioneering, Jewish-farmer ancestors and my chosen lifestyle. In 2022, I was awarded third place in the Miriam Rachimi Micro-chapbook Prize for my ten-poem collection, The Legendary Tomatoes of New Jersey, published by Poetica Press, and my poem "Was Eating Cherries" was nominated for Best of the Net by Medicine and Meaning, the literary journal of University of Arkansas Medical Sciences..
Confirm Humanity
Mail Chimp asks me to “Confirm Humanity” before submitting poems to a particular journal. It requests a declaration that I am not a robot but refrains from leading me through a maze of photos with spans or parts of bridges arrayed in chaos that would surely not convey traffic. Today, when even removing the down jacket from my tensed shoulders is a heavy lift, I cannot whole heartedly confirm humanity. AI controls this exchange and hurls us all into a robotic universe where, alone, my question echoes, flapping the missing pronoun—third person, singular, possessive— like a disembodied hand waving goodbye in the Void for all eternity. Must I confirm all of humanity or just my own? What about the worst and the best thereof? And all those in the huge swelling middle of the eight billion vibrating continuum? Can I not just confirm that I am alive and warm enough inside, that a coating of ice and snow whitens the dun of winter and a female Downy pecks at the suet feeder?
Originally published in publication
Aborted Trip to Town, January 30, 2023
Cloud vapors freeze in the twenty-seven-degree chill, a chiffon-fine coating of ice slicks road surfaces. Almost to town, we abort the trip, turn around in the driveway of the house that looks like Psycho in Disneyland while the shrill wail of the cat repeats across eighteen wasted miles. Best not to risk the descent to the highway with a fatal slide off Backbone Mountain when I have neglected the cat’s condition too long already. Though I have loved this cat for fourteen years, last year slid me into neglect’s abyss; grief and death dug their deeper hole with every scrabbling clutch of my hands trying to claw back to life. Today in this bleak bitter weather, I let starvation, cold, war, murder sit beside me—these existential ills forever twinned with life. Who am I to build a fire and fill the bowls, to provide safe shelter and warm blankets when I cannot care for myself, cannot lift off the burdensome mantle of aging and loss? But the steam from a mug of tea you’ve made, the poems pinging inside my ribcage— persistent as ice pellets assailing the windows—
©2023 Ruth Weinstein
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