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March 2023
Maria Lisella
marialisella@aol.com / marialisella.contently.com
Bio Note: A travel writer by trade, these past pandemic-era years have kept me "stilled" in local time; some of that stillness has been welcomed, the need not to be somewhere is very seductive. It came on the heels of the death of my poet-husband, Gil Fagiani whose work I continue to shepherd into existence: the latest being Soundtrack of a Life. "Just doing the work," is no longer an option, but a necessity.

Anointing

A sliver of the meadow in Central Park darkens
as the winter sky cools on its way to night.
You ask me “… before you go, can you …” And I do.
Unwilling to go, needing to go, I organize items 
on the table, as if anointing them for you, talk you
through the maze of meds, the need to eat something,
anything all day. I swirl and spin the hospital furniture --
the walker, the tables into place. Your prayer books
next to the phone, small laboratory cups of mouth
washes for who remembers why there are three of them.
I make my way to Second Avenue, chase the subway car,
look up to see a woman giggling. I must have missed
a transient, funny incident on the platform. She wants
me to join her, I do, smile back, blink and recall the last thing
you asked. “Would you take a hot cloth, wash my face …”
as my grandmother did on cold mornings knowing 
each child would tiptoe on chilled wooden planked floors
and my mother did for me to gentle me into mornings. 
I reach my stop and think quite possibly, I forgot
to warm your face as night falls in a place where
the weather never changes, where you live for me.
                        

The Call

The call came
A three-story roof,
not a big building
serious enough
to break bones.
A day later,
another call comes.
A room 
at Jacobi.

I plan.
He drives.
I’m the passenger.
She’ll be there, you know.
I know, I hear myself say,
the mother is always there.

I hate
the stereotype, but it fits.
The mother takes him back.
He doesn’t get better.
He never leaves except
this way.

The cycle — failure,
salvation, failure, 
a passive remote control.
Patched up.
Lateral moves
ward to ward.
Suicide watch.

From the parameter,
I watch.
Stepmother
not blood
not natural.
Despair respects no borders
legal, illegal.

You love what you touch,
love more what touches you.
                        

©2023 Maria Lisella
Editor's Note: If this poem(s) moves you please consider writing to the author (email address above) to say what it is about the poem you like. Writing to the author is what builds the community at Verse Virtual. It is very important. -JL