July 2023
Audell Shelburne
d.a.shelburne@gmail.com
d.a.shelburne@gmail.com
Bio Note: I am a professor and assistant dean at Northeastern State University in Tahlequah, Oklahoma, where I teach poetry, Shakespeare, and a few other classes. My poems have been published in a number of journals and anthologies, most recently in collections by Dos Gatos Press and Verse-Virtual. I am currently working on a full-length manuscript entitled Before, Between, Above, Below, Beyond.
Paperclips and Other Entanglements
He only looked away as they talked in the library between classes. He twiddled a paperclip, folded it into right angles and miniature crosses. She said more than she meant, as he continued to look away— out the window as rain fell on pansies and crepe myrtles, at shelves full of books, mostly worn-out romances and epics, plays and poems, then down at his nearly full cup, rainbows of oil in pools on the surface of the lukewarm coffee. She continued and he reshaped the clip into triangles and boxes, into a nearly perfect stop sign and back again, only isosceles this time, two legs equal to the task, and he smiled at the thought of compasses and circles, a geometry of love on a rainy afternoon. All the while she talked and he fiddled the paperclip, twisting it, wrapping it into a precise little noose.
The Second Bar
I. Thin light skips the waves as he wades out to the second bar, a guess to find the flounder or reds as they run into the bay. Dawn breaks as a calm surf rolls and swells at intervals against his stomach, the nascent pulse of a soul in utero. Time and flounder pass him by. The sun climbs high, beats down, and he reaches for an empty water bottle as it floats off. A rope stringer leashes three trout to his belt, a swell morning until the swell of waves laps water at his armpits with him standing tip-toe on the second bar, stranded in the ebb and flow of the bay. And he swims for shore, one arm stroking the surging sea, the other hand clinging to the reel he bought for his birthday. He swims, urging the trout on the stringer to swim with him, not out to sea. He kicks off his shoes and bobs toward shore, wondering when to ditch the rod, the reel, the stringer of fish in his fight to overcome the suck of the undertow. II. Happy hour ends just as he bellies up to the second bar of the night, orders a beer and makes jokes about anesthesia while the singer croons jazzy tunes of life and love, melancholia made sweet and deep. He hums along as dissonance strikes chords out of reach, churns under-currents from the deep rift beneath the surface of numbness. He gulps another longneck, gasps for air, spills his story of an unknown son or daughter, a mother’s breathless cries, fruitless labor, ruthless waves breaking on shoals of grief, rolling on broken hopes. Then last call, bright lights, empty stage, cold room. Sorrow swallows him whole while he drowns in a sea-sickness of memory and beer.
Originally published in descant, Volume 48 (2009).
©2023 Audell Shelburne
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