January 2023
Bio Note: I make my home in Norfolk, VA with most of my family— where I teach in the MFA Creative Writing Program at Old Dominion University and at the nonprofit MUSE Writers Center. As of November 2022, I've been writing (at least) a poem a day for the last 12 years, as part of a daily writing practice. I've loved the opportunity to serve as the 20th Poet Laureate of the Commonwealth (2020-22) and work on public poetry projects with the help of an Academy of American Poets Poet Laureate Fellowship.
Death March
Bataan, 1942 Small, dark pucker in the skin at the end of his left pinky finger— Growing up, I never knew the details, did not associate that cleft shaped like a dry asterisk in my father’s hand with the long march in April: hundreds of men in the aftermath of Pearl Harbor, stumbling toward prisoner-of-war camps, prodded by bayonets. He never said anything about how he came to be singled out, how some blade must have sung high before plucking the nail out of his flesh; how the pulp fresh in the scar made him swoon. All wars, I remember him saying, are most of all the deprivation of spirit. Animals roamed the countryside, unloosed from the plow, evicted from barns; or caught, they dripped and turned on a spit. Through fitful sleep the prisoners heard roosters, their raucous crow orange in the breaking dawn.
In the Death Republic
The half of a half beat before or after, the rest and the slide up and down the scale. The doubling back to recover, except for the unrecoverable. A madman who's president wants the sentence revoked, the ransacker turned out of his cell and back into the fold. Whose ghosts roam the fields, their hands outstretched? A girl's gold limbs that wintered in an abandoned van; lamp or lyre, a child's body strung over a cesspool. Aphids turn trees into factories of sugar before they damage and die. Mark my words: that is to say, the blister that replaces bliss.
Show Me Hope Without Using the Word Hope
Disorder in the world, and continuing desolation. But cautiously, we step outside to marvel: a warm day in mid-December as if in summer. Students cross the street, wearing flip-flops and shorts. Contrails sketch a cloudy commerce of lines again across the sky. Then at night, a swing thirty degrees colder. I've never been in the desert, but I've been told water hasn't forgotten it has a home even there. Invitation is a word that seems to be making a comeback— no dress code, bring or don't bring a dish or side to share. You know loneliness will risk its disheveled gardens, its withered limbs, just to hold something tight in its arms.
©2023 Luisa A. Igloria
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