February 2023
Bio Note: I’m still reveling in being a hermit, what I’ve always aspired to be. I’ve used this great pause to write more and to read books again, now working on revisions of a novel I wrote in 2022, and still writing a poem-a-day. My poetry has appeared in Prairie Schooner, The Comstock Review, and The Nation. I live in rural central Virginia in the woods and write every day.
Parallel Play
At opposite ends of the boat, we’re rocked by waves and the wake of other fishermen. My husband, after tying flies for months, talks about his lines and leaders, wigglers and bunny divers, arranges his fly box, adjusts his creel. When seas allow, I hold my tray of embroidery skeins on my knees, a rainbow of color in floss and ribbon for flowers and foliage in fishbone and fly stitches. I add dragonflies, satin bees, landscape of life on linen, straight stitches for grass, taut in a wooden hoop, raise my gaze to sea grape and mangrove shore. When he hooks one, he shouts, startles me out of the blue lines I follow with care. I can’t watch him, his gaff and disgorger, the staring eyes. When gills go pink I lose my breath, force my stare to the horizon, boundary separating sea and sky. My heart threads out to his across air turning blue in fading light. His heart reels out to snapper and bonefish and he curses a Great Blue Heron wading where he wants to go.
Originally published in Writer’s Bloc.
Ex-Husband in Tennessee
The last time I’ll see him, he’s on the porch of his hundred-year-old house, gray wood rotting, splintered chairs. I sit upwind of his cigarette. His skin has a yellow tinge, his ankles white and swollen, veins like a blue tattoo, hair thin, face hanging. We sit quietly, only the sound of the creek below, rushing toward Forgetful Lake. I look at him and remember when he laughed and kissed me, we were teens, all of it dangerous, forbidden, first man to touch me, blood rushing, first hard loving. I kiss his forehead, tell him to take care of himself. We both know it’s too late. His liver is hardened; he’s bleeding out.
Originally published in The Cartier Street Review
©2023 Joan Mazza
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