November 2022
Bio Note: In honor of Thanksgiving, here are some food poems. "Sweet Potato" appeared first in Spot Lit and then in my collection, Moraine; "Baby Vegetables" and "Eating the Artichoke" will be in my next collection, Morpheus Dips His Oar, due out in 2023 from Sheila-Na-Gig. Now I think I'll go bake some brownies.
Baby Vegetables
I pry open the plastic clamshell of baby arugula, tear into the bag of baby lettuce, pick the baby carrots from the market bin and tuck them into my recyclable supermarket tote with other baby vegetables. They will be delicious but still I will feel like a pedophile enjoying these sweet young flowers of God’s creation before they have grown to full size, before they have basked their intended amount in the sunlight or slept in their earthen wombs, before they have drunk their allotted share of earthly water. Someone else has cut short these tender lives and we, my friend, are devouring them like perverts in a damp garage. And they taste so good.
Eating the Artichoke
When you eat your first artichoke you are daring and cultured; a member of an elite with taste refined enough to savor the delicate flesh in the recess of thorny tip and barbed leaf, patient enough to wade through the thicket of leaves picking your way to the prickly choke. You are not like your forebears crashing through dry grasses to come upon the bristling bush with its towers of thorns, tearing at the painful flowers in search of sustenance, anything to help them remain in this life and be able to pass down those stalwart genes that would enable their progeny thousands of years thence to pick out a shrink-wrapped pack of thistles from a grocery shelf and know already, among other cultivated secrets, the right way to cook and eat them.
Sweet Potato.
This is the one I chose from a bin at the farmer's market between a pond of parsnips and a crate of beets: jaundiced skin, protruding hairs, flesh scratched and scarred from its travel through the earth, sallow statue like some armless creature dragging its lumpy body over the earth. There's a bend where it tapers and rises (I imagine it reaching into the earth, searching) and here on my kitchen table this tail looks like the head instead and I realize it's all upside down. I begin to see a greater world: this root and all the other things that reach into the earth searching for nourishment are like negative numbers in a world where up is down and heads are tails. I imagine cooking this root creature and eating it, and I wonder if I can.
Originally published in Spot Lit
©2022 Tamara Madison
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