March 2022
Bio Note: I am a poet, artist and essayist. Born in Heliopolis, Egypt, I am of Lebanese origin. I have a passion for languages and have taught Spanish at Western Michigan University. My latest poetry collection, The Taste of the Earth (Press 53 2019), won the Silver Nautilus Book Award; Tea in Heliopolis won the Best Book Award and Under Brushstrokes was a finalist for the International Book Award.
How Did I Even Think I'd Make It Back In Time For Class?
I'm late for class. I take a trolley but the old driver takes us to a strange place by the beach. The sea and sky merge in clear aquamarine. We watch a fisherman throw nets at a distance. A boat ride would be lovely. A girl in a flowered dress bends over a net of algae. I know her but can't remember her name. She went to school with me in Cairo. Tiny blue crabs crawl on the sand. On the rocky reefs, purple sea urchins are nested. My Nonna loved to eat them in Alexandria, ricci, ricci, she'd say with a smile. We come across a stand. Smoke rises from ears of corn roasting over coals. Oil, lemon, herbs, drizzle over tender flesh. It is getting dark. Blue sparks electrify the dense air. I love the crab's orange heart. It tastes just like in Rass el Bar, that little island where the Nile blends with the Mediterranean. Vendors carried them in baskets, chanting kabouria! kabouria! It is time for cocktails. People gather around a buffet erected at the foot of the cliff. They keep coming out of a transparent elevator sliding in midst of the quartz sandstone. I think of a fisherman's net rising with its catch. It could be our only way out. It stops midway, a door opens to a conference room. I see an old date from Beirut: an ophthalmologist with black curly hair, still handsome. How does he manage to keep his hair so black, so curly after forty years? I realize it is past nine. How did I ever think I'd make it back in time for class?
Originally published in The MacGuffin
Open-Air Cinema in Heliopolis
(1954-1962) You used to say, mother: “Let me see your face when lit by a crescent moon: every day of the month will smile the way you do.” We saw double-feature movies in open-air theatres. The cool breeze ran through our hair, over our necks, lifted our skirts, swayed us in a magical carpet. Tempted by vendors chanting Greek cheese and sesame breads, we often stayed, sipping icy lemon granitas through replays, the lift and pause of cascading light. Characters entered our own camera obscura. We never agreed on their age: you added a few years, I wanted them closer to mine. I remember a recurrent scene, fading now into a sepia cameo, where a woman--always the same yet different--slaps a man before falling in his arms. I watched your face then, as stars outlined the sky, the slight opening of the lips, the Gioconda’s elegant smile you allowed yourself, befitting the sfumato of the late hours. Arm in arm, we walked home, following the trail of the moon.
Originally published in Cutthroat: A Journal of the Arts
©2022 Hedy Habra
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