June 2022
Emerson Gilmore
xemgil3@gmail.com
xemgil3@gmail.com
Bio Note: I have been writing poetry for many years and have self-published several volumes. My book, It Looks Like What I’ll Take to My Grave, Viet Nam Fifty Years Later, a collection of poems about my tour in Viet Nam, was published in 2021 and was a finalist for the North Street Book Prize. My poems have appeared in many journals here, and one was excerpted abroad in The Baltic Times. I am proud to be next to Allen Ginsberg in the index of Teaching the Art of Poetry: The Moves by Baron Wormser and David Capella, where one of my poems appears.
Easter 2022
I I think the usual things: a little reverie before I check to see how long the ham will need to reach 140 degrees; whether I can put the scalloped potatoes in with the ham; whether, this time, the string beans will for once be perfect as my mother’s always were. In Mariupol, Ivan Kovalenkov steps from his ruined home into his Easter morning and prays harder than he ever has. He wonders what to think without his wife whom he hasn’t found yet. He does not think of dinner-- why should he since he’s had none for countless days. He expects his death but not a resurrection. Prayers are offered around the world, and God, up to His usual tricks, feigns not listening. Ivan believes just as he always has. He also believes he’ll be shot, suddenly, for no reason. There is nothing he can do about it. I will take my seat at the table, my wife will say grace and ask God to bless Ukraine. The ham will be fine, the potatoes not warm enough, the beans, so-so. Ivan, looking for his wife, will not find her. II Stepping out on Easter morning, Ivan prays openly to God for relief from the war closing in on him, so near that a bullet knows his name and blood type. In the ruins of his home he prays, believes; searches for his wife, and prays, believes. Maybe it’s the only thing left to do. Maybe he’s so destroyed that he too is reduced to rubble, to falling back into the childhood rituals of Sunday school, unable to say anything except, “Our Father Who art…” If God has the sense, is brighter than any man, then He will place in the ruins where Ivan toils-- beneath a fractured brick, under a smashed hope chest-- at least one tiny chrysalis, a baffling womb in which a ferocious butterfly pulses to be born. III As Ivan Kovalenkov’s death approaches he is silent and lets the air speak. He hasn’t found his wife but will join her momentarily, or so he believes. He’s not quite sure what he wishes for here, on the edge of light, finds darkness perhaps a better choice. He thins, grows smaller. Distant sirens hope elsewhere to find the living buried in the smolder and dust. They’ve given up on this neighborhood-- it’s been too long now. Ivan picks his slow way through all the wreckage he has searched before, feels belief diminish into hope. An abandoned cat follows him, then turns away. He finds half a cigarette, picks it up, aims to light it when he finds a small flame. A sudden blast ruptures his ears. All light disappears in a flash. Even Ivan Kovalenkov’s final prayer is ripped from the stinging air. IV There is no one left to bury Ivan with his name. He has become anonymous, just ashes and dust. If enough bones and teeth remain tendoned together there will be a bag and a burial to the tune of a tractor and backhoe. If not, he’ll be plowed into the next generation with his wife and neighbors. For most of his days Ivan saw a different end, saw the standard decay, a long and fatal life concluding with pallbearers and grief. He wanted to die in spring when everything is being born. But that turned out to be only what he thought he saw. He also thought he saw his sad wife holding his hand as he faded. What they saw, dreamed, incinerates, and the only hope is that their faithful ashes mingle in the glint of the bulldozer's steel blade.
©2022 Emerson Gilmore
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