July 2022
Bio Note: My parents were married on July 4, 1961 and spent their honeymoon touring Civil War battle sites. I have fond memories of the 20th anniversary party that my brother and I threw for Mom and Dad up in Nova Scotia: a bottle of "Iron Brew" (really non-alcoholic soda pop) and a little cake from the store. My most recent poems appear in Beltway Poetry Quarterly, Sheila-na-gig, and Spectrum.
At the New Mission Theater in San Francisco, 1989
That week we thought we’d stay in California. The boxes in our room were just a place for our host’s cat to pounce on, a place for us to imagine our next move. Without kids or cats to slow us down, we could stay here. Or move on. That afternoon we walked out to the Mission, found the place that could have been our theater, no matter where we lived: Oakland or San Francisco. We were returning to the world of architecture and old movies, all we had left behind two years ago. That evening we watched The Great Dictator, forgetting the scratchy seats and chipped ceiling, the smell of popcorn, food we couldn’t afford to eat. We laughed at Hinkel’s dance, were moved by the Barber's speech. Others around us were pretending they’d live, be well while we pretended we could stay in this city.
After Watching White Men Can't Jump, 1990
I remember the subway, LA’s Blue Line. Except for the palm trees, skaters, Slurpee-colored surf, this could be our city—with motels not row houses, with gleaming old cars not buses. That cold night we ate ice cream in the lobby: mint chip and Death by Chocolate. We wore our new coats and joked we could visit LA, even live there with that subway. You said you’d had enough of the tiny sun that had barely melted last week’s ice and snow. The moon and stars glinted; the sky was black ice. You said you’d like to step outside without your new coat, without fear of the wind, even though we’d just come back from out west and we were happy with our new TV and all the old movies and Celtics games we could watch. I don’t know if you ever made it out to LA, rode the Blue Line, or watched men play at the Venice courts. I know the Capitol is still open, serving this year’s flavors: Red Bull and Oreo Stout. I don’t know if you still want to leave this city. I know you have not.
At the New Village in Eugene, OR
Tiny houses gather on the site of what used to be a strip mall. Past nine o’clock, the sun sets over the mountains. Residents of the village, formerly unhoused, are washing dishes in the cup-sized sinks, or sitting out on the stoops, waiting for their friends to come home from work. Their voices lower; they no longer have to compete with the frat boys’ bars on 13th or with Franklin Boulevard, an eight-lane river clogged with buses, cars, and trucks and the music bursting from each. In the new village, the residents have no curfew. Thirty years ago, when I lived near here, stringy-haired men and women huddled in bus stops, as if waiting for a ride that would not come until morning. Others were wedged beneath the overpass or sprawled on downtown sidewalks, finding sleep in the early evening despite raised voices from passers-by. These days the unhoused have jobs, working at Wal-Mart or the university. They even have cars. At the new village, no longer unhoused, they are safe.
©2022 Marianne Szlyk
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