February 2022
Bio Note: As we’re swept into another pandemic surge, I’ve been thinking about potential danger and accidents. Looking over my poems, I see how many are on this subject. Apparently it was no stranger even before this particular threat. My latest books are World Enough, and Time (Kelsay, 2017) and Traction (Ashland, 2011). My chapbook The Gambler’s Daughter is forthcoming from The Orchard Street Press.
Great Falls
for Margie I am not the woman whose breath lurches as he walks to the boulder's edge and peers down. You call him, he pretends not to hear as you wait like an angel whose voice is inaudible to mortal ears. You call again, and I remember when he was a child, I wept at nightmares of his loss. Fear distant as the sources of these falls. Kayaks bob below, regrouping for new rapids, and I, a mother who has lost this child to manhood, see how each must test the bond of love. Soon, Margie, you will know how sure his footing is, how your sweet voice holds him a moment longer on that precipice.
Originally published in String Poet
After a Class Discussion of Cormac McCarthy’s The Road
How cautious my life has been, as if the choices I made could save me. How I trusted the bond between the green world and our hunger. As if the earth existed only to feed us, its waters a blessing we deserved. Now on the first warm day of winter, risk is the air I breathe. The cedars, the dogwoods and magnolias spiked with buds, the racing clouds, become a scrim I can almost see though to a future I could believe. If it came to that, one student said, I’d take a handful of pills and go to sleep. Most of the others nod. I doubt they would. I doubt they know how much they want to live. A hand opens to offer a potato. Another closes on a crust of bread. Not in some devastated future, but now, every day. I stare at my palm. I stare at my fist.
Originally published in Briar Cliff Review
Falling Out of Love
Like riding in a hot air balloon as the flame burns dim and you descend from that height where you could see the world below like a diorama. Past soaring hawk, through trees, a slow-motion fall that returns you to perspective, the weight of everything beside your puny angst or relief. Or the shock of the door sill you didn’t see, the floor rushing up to you, slam of your body against nothing so soft as flesh. The bungee jump when you choose to leap, trusting the cord will hold, and upside down you plant your feet on sky and feel blood rushing to your head. Or not even a fall, more the dreamlike spin of car on black ice. Letting go of the wheel, landing where you will. Or driving across a bridge, that sudden change in the road hum so like the shift you feel between you and your lover, proof you’re no longer on solid ground, but suspended over air and rushing waters, a chasm so deep you can’t see where it ends.
Originally published in The Stillwater Review
©2022 Mary Makofske
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