February 2022
Bio Note: Three poems this month, all written recently, address themes of nostalgia, memory, and time passing. “Ekphrastic” is based on a painting I saw online, but cannot find again. I continue to write one story a week for the Boston Globe, and work on both poetry and fiction. My book of linked short stories, titled “House Stories,” was recently published by Adelaide Books. It’s available as a paperback or on kindle at https://www.amazon.com/dp/1956635106
Ekphrastic
The painting makes you want to dive into the scene, partake of its reality, perch upon the shoulders of its players like some sprite, angelic auditor, or half-drunk parrot Get inside them, know these people, these classic types, from the inside, squawking out your own theories and objections Live these few minutes as they lived them You want to trade skins with somebody else, taste the coffee, or the beer, with another’s tongue, another’s mouth, teeth another’s heart, limbs, mind Everything that lives for us lived also years ago, decade after decade, when life was on the line Others pulled the strings I swung, held on, trying to keep my balance, keep from falling, both in and out of the picture This painting, image, coloristic depiction, just one more, you may say, of so many others I seek to pull them out, show them to the light step back into their time, walk their walk, take them back to the source, seeking always the source, swimming back like one-celled creatures drawn to mate with the tiny nth-degree particles of their universe so small, so subfusc and granular, particled and particular to their own existence I will mate with the universe, atom by Adam Be all Glad Day in the colors of the revelation of unexpected things, some things, happily, other than no-things, in the moments, the miniature infinitudes of endings, twisting and turnings, back to our beginnings, back to Singularity when we were as good as we could be, as alive as dead a pigment on the square, blood on the canvas.
My Stones Are Rolling*
Tiny particles, I’m told deep in the dark passageway of the inner ear keep the room spinning adding a new degree of difficulty to evening triangulations and all the other poses Who am I posing for? What will miss me if I can no longer lie on my back with the bridge of my temperamental mid-section in the air, a miniature Throgs Neck tying the island of my childhood to the far fields of the thrown-ahead decades, swarming to be born I bring a note to my yoga class, begging for an end to my torments and fewer demands on my swimming inner-ear ‘Stones,’ they are called, the slingshot of vertigo ready at a moment’s indiscretion to slay the giant in my mind lay him on the ground and set the room to ‘spinning’ A cliché, you think, and then it happens. Will I have to give up balancing the world on my back breathing in, and letting go (pretending I know the difference) to inflate the universe with my very breath, as if spiritus mundi has been waiting each evening for my kiss of life Don’t worry, they tell me, there is always child’s pose, but I will never be the man I was, that creature of sanity and pillow of domestic comfort until I learn once more to keep the stones from rolling.*Benign paroxysmal positional vertigo (BPPV) is caused by a problem in the inner ear. Tiny calcium "stones" inside your inner ear canals help you keep your balance. – University of Michigan Health
Happy Christmas Past!
Dad’s grown sentimental He may not have seen them on the day itself, but close enough, and any day is a holiday if the heart keeps warm Still close are the melodies at their sublimely nostalgic best This music – he cannot forget the music! theme music of their childhoods, and his second – is balm to his graying age He laughs in his beard Almost nobody, dietary limitations so common these days that every waitstaffer is a deputized constable for Food Restriction Inc., does this any more, but he will raise an eggnog toast in a lactose-tolerant house, spiked, of course, with the remembrance of times, and people best loved, forever
©2022 Robert Knox
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