December 2022
Sylvia Cavanaugh
sylvia@sylviacavanaugh.com
sylvia@sylviacavanaugh.com
Bio Note: I am a Midwestern high school teacher and Poetry Club advisor. My students and I have been actively involved in 100,000 Poets for Change. I served on the board of the Council for Wisconsin Writers and I am English language editor for Poetry Hall: A Chinese and English Bilingual Journal. I have published three chapbooks.
Moonstruck
Astronauts said the moon smelled like used fireworks. An aroma of spent gunpowder, like a sniff of conquest, permeated the lunar module on the flight home. Scientists say moon dust acquired a gunpowder odor from lack of oxygen. No atmosphere on the moon. Like the way no atmosphere makes the sky look black when you are standing on the moon in broad daylight. Imagine the surprise of standing on the moon, awash in ice-cold sunlight, and looking up to see an infinite black sky— There is your ultimate noir setting—murder in broad daylight, under a night sky, Sam Spade chasing down the trail of spent gunpowder. In a star-spangled daytime sky you would come face-to-face with our place in the cosmos. The moon landing emerged from a decade of division the struggle for freedom and equality the struggle to end the war a generational struggle. The moon landing itself born of a cold vision, of Us versus Them. The Apollo 11 astronauts studied paper star charts and used a sextant to navigate space like Vasco da Gama Columbus Jacques Cartier. At least there was no one to conquer on the moon. But it isn’t just the paper maps. So much of the moon mission was hand-made like the parachutes—hand-stitched and hand-folded. But this hand-made, paper chart moon landing, sixty-six years after the Wright Brother’s flight, ushered in not a new space age but the digital age leading to cell phones and deepfake. Maybe the whole Apollo mission was more steampunk prequel than noir— both handmade and microchip driven with the feel of an urban underground dystopian novel— post atmosphere. No wonder people don’t believe the moon landing was real. My father walked from our row house to the RCA plant where he worked on one of the moon cameras. My father knew the smell of burnt things but he believed in the moon camera. From the cooling rock of this earth, life arose— From a scrim of stardust, the leavings of angels, to swim, fly, burrow photosynthesize and eat— tumbling from innocence to awkward self-consciousness. The moon acquired myth and gender as it waxed and waned across the sky. We humans philosophize, dream of flight, and sometimes practice non-violent resistance. My father was a low-paid technician helping to construct a slow-scan camera taking pictures of pictures sent from the moon and converting them to a television signal beamed into living rooms for a world momentarily united— moonstruck, deep in its star-bones. July 20, 1969
©2022 Sylvia Cavanaugh
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