August 2021
Bio Note: This month I’m reaching for the calendar to continue a thematic poem, called “Calendar Days,” that I began back in January. Plus two poems in a more personal vein; one about family history, the other about national history. I write one story a week for The Boston Globe, and I’m hoping to see a novel of speculative fiction, “Karpa Talesman,” published this year. For poetry, garden photos, and whatever else I’m up to, see my blog at prosegarden.blogspot.com
Calendar Days (Part II)*
August feels a little late You’d thought that by this latter date You’d surely have more done The bees are in the asters The butterflies are rare The twilights have a sharper tone But still more time for fun September’s songs are mellow You’re not going back to school Marigolds are yellow And resolution is the rule October is the month for love For leaves that leave you with a flair You think that they will stay forever But leave you, shortly, in despair November is reflection time To slip betimes twixt rain and grime But if you’re being truthful You’re still feeling in your prime December days come crashing down They speak of futures left unsaid The leaves are in the gutter The garden mostly dead Yet you take a gulp of frosty air And steer for straight ahead ______ *Part one of this verse calendar appeared in Verse-Virtual’s January 2021 issue.
My Mother Lost Two Houses
My mother lost two houses It wasn’t hard to do Two fathers passed away as well A story sad but likewise true A story she would later tell when things – or so it seemed to us – were mostly going swell My mother had two mothers Or maybe it was three One that was a debutante And one that learned to cook But in all the fates decreed back then they gave less than they took My mother lost two houses Will we find them still somewhere? The first was lost to early death, The next to times that proved unfair When you think of poor Mom’s childhood it takes away the breath She didn’t lose the last one, though in the end she fled ‘Twas time that left her lonesome Time merely grabbed its share And when we cruise down mem’ry’s lane – Such lovely people living there! Her son, he was a keeper He wrapped her in the best of care We visited from far away, I never did my share And though the story had to end And though the final scenes were spare I still recall those missing houses They were castles in the air
Fighting Words
In the life-giving ecstasies of a Berkshire spring I am thinking not of lilacs last-blooming in the war’s climactic year, but of the fall of 1859 when a live-ammo demo at Harpers Ferry exposed the American Army as the last defense of slavery: Blue-coated troops under Lee shutting down a doomed assault on the nation’s peculiar institution, a rifled protest scornfully denounced in the nation’s press as ‘treason’ and ‘treachery’ Until freethinker Thoreau spoke his “Plea for Captain Brown” in Boston’s Tremont Temple, saying, “When a government kills the liberators of the slave, it reveals itself as merely brute force… A government that pretends to be Christian and crucifies a million Christs every day!”* And Emerson weighed in: “He made the gallows as glorious as the cross,” words setting in motion an apocalyptic purging of centuries of crime And I think also of the elegy by Whitman, who in the midst of war’s infernal nights said of one of the fallen, looking old and gray though scarcely more than a boy, “I think this face is the face of the Christ himself, Dead and divine and brother of all, and here again he lies.”** ______ *Henry David Thoreau, “A Plea for Captain John Brown,” 1859 **Walt Whitman, “A Sight in Camp,” 1862.
©2021 Robert Knox
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