November 2021
Bio Note: The second of these poems was first published in a now defunct journal, and looking back, the one (The Catamount) which was never published in a literary journal, baffles me that I never submitted it anywhere. It is based on a real encounter I had with a catamount that happened in 1966 or 1967. I wrote it in 2002 and dedicated it to my poetry teacher at Bennington as an answer to his criticism that my poems didn’t seem to have “a clear purpose for existing.” These days, I am now trying to find a publisher for my third full-length collection, crum·ple zone |ˈkrəmpəl ˌzōn| noun, that seems to be my current catamount.
The Catamount
To Henri Cole —but I have seen the catamount, its stealth turned wary by our baffling human presence. Every day, through long summer afternoons, I waited for it in an abandoned field to descend the far swale in mythic grace, my piece poised to blurt out its deafening words. But the days passed without it coming. So I put away my gun and readied to leave when suddenly I saw it waft across the road like a tawny length of ghost, and I drove to where the pines succored its shadow and in the umbering light I saw its long tail twitch its animal unease just once— then it was gone, driven deep into that place where memory and faith mingle in the brain hunting a clear purpose for existing.
Originally published in The Kingdom of Possibilities (Mayapple Press, 2009)
Elegy to Socks
The six pairs of running socks you gave me have all run away as you did. I shuffle through my drawers but cannot find them anywhere. So I write this elegy as if I had a dozen feet all orphaned and bare. I think of Neruda, and how little I know of him, his ode to the socks he received, their soft rabbit pleasure, and I think of his stout benefactress descending from the steep Alpaca places with her rough peasant hands full of the billowing wool she would dye the color of mountain flowers before she spun and knit her present; then I imagine their spirits arcing over the Andes and on through the breathless lapse of space and time into this empty drawer I shut now and walk away from, barefoot as birth.
Originally published in Five A.M. (defunct)
and subsequently in The Kingdom of Possibilities (Mayapple Press, 2009)
and subsequently in The Kingdom of Possibilities (Mayapple Press, 2009)
©2021 Tim Mayo
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