November 2021
Bio Note: : I am enormously grateful to be weathering our prolonged pandemic moment with my husband of many decades. My fifth book of poetry, Groaning and Singing, comes out from FutureCycle Press in February, 2022, by which time I am hoping (but not confident) that this global scourge will have been vanquished.
Letter to the Ministry of Loneliness
Britain makes loneliness a Cabinet-level concern. —Los Angeles Times I take round trips on the Tube during morning rush hour. I stand up, for maximum contact—for the warmth and pressure of other bodies— and inhale the steam of coffee-and-cigarette-breaths. I offer to walk my busy neighbor’s kids to school. Their brittle voices ring in the icy air, as if belonging to another universe. I try to strike up conversations at the market where I buy a single item daily, a bun or tart. I stick to apolitical topics: the BMW’s windscreen smashed by a flying cabbage, Saddam Hussein’s romantic novel. Then I am home alone again. I put on the kettle for a cuppa. But the quiet is not lovely. Nor the enclosure of my own body. Everything’s supposed to be relative— unless one’s loneliness is absolute.
Originally published in Rattle (Fall, 2018)
Touch
What if, in my papery skin, I am disappeared into one of so many duplicate, remote and solitary rooms— quiet as the cells of abandoned wasps’ nests, or beehives? What if I roll to the floor in my sleep, and there is only the squeeze of the blood-pressure cuff, the cold coin of the stethoscope on my chest? What if, when my busy children clear an hour to visit, they must “hug” their brittle progenitor at the window, like palms arcing over in a wind? What if I sit with their gift of a robo-kitty in my lap, and stroke and stroke its back, and coo in answer to the answering mewing and VibraPurring, and stroke until the kitty rolls over for a belly-rub—the warmth of my own undiminished affections flooding me— and stroke until it closes its glassy eyes and snoozes, as I do?
Originally published in Peacock Journal (September, 2016)
Foreign Bodies
The cast off, my wrist is twisted, the arm I broke a flipper, bruised, sallow, and distant, unclaimable—like someone I cannot place, a foreign phrase I can’t absorb, an item in the lost and lost, its fingers barely able to wield the pencil to tick off the class list, though hope knows it will come home, be unremarkable again. Then the boy’s rolled into the freshman writers’ workshop, slumped in his wheelchair like a duffel tossed from ship to alien dock. Great drops of slobber rope from his mouth as I wait for him to speak. His self’s been lassoed, reined in, choked—by his triumphant foreign body—yet it is still not broken. And begins.
©2021 Judy Kronenfeld
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