March 2021
Robert Wexelblatt
wexelblatt@verizon.net
wexelblatt@verizon.net
Bio Note: “Prosthetic Gods” is a product of the pandemic winter. “Crossed Up” and “Commuters” are
academic epigrams. A while back, in a dyspeptic mood, I wrote nineteen of them—none since. I am lucky to be
employed by Boston University, still. A new book of stories is forthcoming, The Thirteenth Studebaker.
Prosthetic Gods
We have computers, smart phones, Zoom; a flat screen in the living room that’s full of fluffy comedies and earnest documentaries; our cars direct us where to go, say which route’s quick and which one’s slow; a cube delivers corny jokes, French recipes, the signs of strokes, will play us reggae, acid rock, Miles Davis or J. S. Bach; we’ve indoor bikes made in Guangzhou, a gizmo for strong espresso that wakes us up, goes down like silk, and even lactates frothy milk. The big, the small, the far, the near are visible; we’ve built the gear to see the birth of a new star and forests deep in Myanmar. Yet when we’re without screen or phone at 3 a.m. and all alone they’re back, all the old dreads and fears with just the music of the spheres.
Crossed Up
Hating underclass behavior he plays the rejected savior, calls his students Gadarene swine: “From this water can I make wine?” Before the boys (still more, the girls) he flings his highly cultured pearls; he doesn’t even try to hide an air of being crucified nor his doubt of their damnations. Reading his evaluations convinces him it’s really true: he groans, “They know not what they do.”
Originally published in Leaning House Press
Commuters
To his/her career each has a right but consider this young couple’s plight. She professes Math in Milwaukee while in Boston he does Chemistry. They divide the distance mileage-wise and in Buffalo they synthesize. Though with tough ionic bonds they’re paired, their problems equal their distance, squared.
Originally published in Leaning House Press
©2021 Robert Wexelblatt
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