March 2021
Bio Note: I tell the people in my life to be careful about how they behave around me because they
just might make it inside a poem and they might not like it. To be fair, I am typically harder on myself than
any of them. It's been almost a year since I submitted a poem for consideration anywhere, was busy promoting my
new collection Stick Figure With Skirt (which won the 2019 Main Street Rag Poetry Book Award) until the
pandemic hit. Since then, I've been trying not to wallow.
What I Learned From My Mother
-after Julie Kasdorf I learned from my mother how to love to type, 120 wpm without error. I learned to have plenty of books in stacks around the house, to value the list with titles like “To Do” or “Someday When We Go to Alaska,” and how a slash through each completed task burns like a tiny angel kiss on the cheek. I learned every puzzle can be solved with a sharp pencil and that a cold cloth heals many hurts. I learned to keep my skin clean more than my house, and that love isn’t like the movies, that sometimes slamming a door is another word for romance. I learned martyrs are not necessarily saints or vice versa, and the names of the saints and sacraments, and that forgiveness is a Hail Mary with two seconds left in the game. What people say is often not the whole truth, but I learned everyone will believe you if you can pull off a genuine smile. For every stray dog you take in, you must give something in return: the uneaten pie, a bag of gently washed rags, a folded $2 bill.
Originally published in Stick Figure With Skirt (Main Street Rag)
Basement Office
The wind is fierce across the hill, the snow fence, those flowers outside my high window stripped down to thistle, and finches, catching a nibble while their small bodies slam against the glass, flung with each gust. Over the hum of computers and the prattle of phones I can hear them, shrilling and thumping, yet they go back and back again for more dead flowers as the glass fills with sticky pink tufts as if the sun setting into clouds, as if this pane was a canvas and hunger the cruelest paint, as I turn away from that egress view and go back again to my work.
©2021 Cathryn Cofell
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