July 2021
Bio Note: Somewhat to my own amazement, this month I’m pleased to mark the appearance of my fiftieth “Poetic License” column. Thanks to all who have supported me in this endeavor, most especially Jim Lewis, and the late Firestone Feinberg, who remains a guiding light. My poems this month come at the theme of “losing your head” in different ways and date from very different periods in my writing life. “The Washington Eccentric” was triggered by a real story, but fortunately I didn’t know much about the facts when I composed my little fantasy in the voice of that notable early twentieth-century oddball. “Village Eccentric,” the other persona piece, is pure fiction.
My Father Whistling
In dream after dream he whistles up our long driveway, striding home for lunch, dogs running crazy circles at his feet, and I know full well why I'm dreaming him, he who hasn't breathed my name for years, or lifted any food into his own mouth, my silent but undead father enduring the static of dementia's untuned radio. "I used to hate making his sandwich every day," Mom remarks, spooning him some more yogurt. But even in dream I know why he whistled deep into middle age, show tunes and Irish jigs, whistling like the kid I never knew, whistling the years' leaves off our Norway maples, making up a melody on the spot that he'd never whistle again, in this or any other life.
The Washington Eccentric
The earth is always heavy dark where I dig it. Often I put out the lantern and breathe until the kerosene odor is gone, then dig on. The earth smell varies with each shovelful, each trip into my tunnels, each season in the warmth beneath my cellar and radiating outward under the lawns and streets of the neighborhood. I like the sudden feel of a stone jamming against the shovelblade, or the resilience of an unexpected taproot ahead. I bother no one. I avoid cellars and storm drains. I dig deep or not at all. Once in a while, perhaps, a dog with head cocked for a moment suspects me ten feet beneath his paws. But in the light, of sun or streetlit houses, the wind ruffling constantly through the branches and sashes of the town, it is easy to be distracted. I carry no watch and sometimes I dig all night.
Originally published in Dart: The Dartmouth Literary Magazine 9.1 (Fall 1975/Winter 1976).
Village Eccentric
I was famous in my time, egg man, ghost, Mr. Fix-it with my office in my head. I wandered this valley forty years before I cared to know it was going to hell. Which it is, and if you have to ask how I'm surprised you can lace up your own shoes. I drove the oldest pickup in creation from Fonda to Canajoharie. I sold whatever I had near cost, then ran dogs up and down these hills, looking for what they lost, I guess. I didn't need reasons. I was my own business, don't you know. You thought that when McDonalds razed the timber off Rattlesnake Hill and laid down asphalt, when the Diemer place became Valley View Retirement Acres, I would go away, like bears your grandmother saw as a girl from her bedroom window. Where would I go? You think I'm probably crazy, brewing roadside weeds for tea, thistle and ditchgrass, finding coins melted from spring drifts. I'm just stubborn, married to myself so long I've set one way. I've got my patch of sun— hell, I even go to McDonalds two, three times a month. The other day some kids, tough guys, threw stones down a ravine where I was running my hounds—hit one in the rib so she howled like fury. Did I chase them? Did I leave an axe sunk in their front door for a sign, or let chicken blood drip in a pail of milk? I did not, but now you see. I'm all right. And when it gets cold I may move to town—never mind just where. For now I'm in your farthest pasture, liable to melt off like mist if you look too close, but I won't go away. For what you don't know, what you haven't any clue, is the rut I am putting in your life, past paddock, driveway, window. In the gnat cloud under your light I swirl, in the yelp of a hound I rise free, and when my slow wings spread wide, it is night.
Originally published in Blueline 7.2 (Winter/Spring 1986).
©2021 David Graham
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