February 2021
Jonathan Yungkans
jonyungk@yahoo.com
jonyungk@yahoo.com
Bio Note: I have a tendency of having poems drop on me when I least expect them, whether from an
extended Amtrak stop in Portland, Oregon, looking at a photo from a friend or driving to the copy center. Maybe
it's something in my coffee or something dark and twisty in my brain's synapses. Sometimes what comes out of my
brain surprises me as much as anyone else.
Poem with a Question from Neruda (3)
What does autumn go on paying for with so much yellow money? The sky burst vivid yellow. Trees fluttering golden leaves onto sidewalks. Riches scraped in whispers, the city sanding off a percentage, cashing the season before afternoon sun melted assets. Dividends dripped, flickered from the molten treeline, threaded with black brush-stroked branches I followed down toward some rushing paramedics, one person quiet on a stretcher, a second, in an orange down jacket, propped against a trash can, unconscious. Leaves kept falling, as if trees flung gold to buy these two a room— or, sensing anguish press above their roots, wept what tears they could. Two policemen watched me, looked as if thinking, in their turn on a smart-ass question, Why don’t you make like a tree and leave? I let the breeze take me, cast myself adrift.
Originally published in Synkroniciti, Vol. 2 No. 2 (Spring 2020)
Imagine Some Tinkling Curiosity From the Years Back
after John Ashbery A dirty white couch was dumped in the middle of a parking lot, arranged catty-cornered, as though placed inside a living room. Days later, a plastic baby gate leaned against the couch’s back. I’m waiting next for a mahogany hexagon end-table to appear, my dad’s black coffee in a tan mug with large black snowflakes, a mug from a set my mom had snagged on a Mobil gas fill-up. I’m pausing for the lunar reflection on a black Spanish-style, station wagon-sized Packard Bell TV cabinet, its blow-out- the-wall sound when Dad cranked “Man With the Golden Arm,” just to see what would happen. On quieter days, the wood’s furniture polish nosed me as I homeworked on affluent shag. I’m eavesdropping for a maple Philco’s soft, unvarying coercion: the TV-phono cabinet where, steady as sun and moon, my brother played five LPs of Christmas songs, until I broke the Bakelite arm. He hieroglyphed those surfaces—three years of committed wear. Fresh white lines moonlight immaculate asphalt. Nothing stirs. I’m waiting.
Originally published in West Texas Literary Journal, Issue 9 (Spring 2019)
©2021 Jonathan Yungkans
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It is very important. -JL