August 2021
Jonathan Yungkans
jonyungk@yahoo.com
jonyungk@yahoo.com
Bio Note: There has been a tremendous amount of bird activity here over last couple of months. Also, from mid-July to early August is fig season here, and the local squirrels are likely to make their presence known at any time. They've been making do with bird seed but will be ready for something juicier soon enough. As for me, I was included in late June in Part 3 of The International Literary Quarterly's California Poets feature series. I am currently serving as a judge for the 2021 Poetry Super Highway poetry contest, hosted by Rick Lupert.
With No Apologies to the World or the Ether
after John Ashbery The birds opened their coffee klatch in earnest, chatting the sky from black to blue in maybe a hundred singing telegrams. I sipped coffee and eavesdropped on the overlapping timbres and turns of phrase in their feathered acrobatics. Pick-up trucks grumbled past, into Wednesday, more mind-reader than machine for engines which sounded more like driver’s complaints than random idling. Amid the light twittering, a raven sounded a bass note twice. The other birds stopped. Paused to listen? A long silence. A second raven answered, more like laughing.
Originally published as as Poem of the Day for April 1, 2021 on gnashingteethpublishing.com.
Toward One’s Own Space and Time
after John Ashbery Fan blades whir. Between grass blades and a breeze of corn tortillas frying in hot oil, my lawn stands a week higher than usual, tall and deep green with its summer stretch. Twilight takes forever to steep—a jar of sun tea, marking time. Dusk deepens, coated with a patina of overripe figs, russet and seafoam. Emerald scarabs orbited those globes all day, loud as propeller planes; they remain, cluster motionless, bejewel the fruit, too far up-tree for squirrels or myself to think of tasting—or so you’d think. Come morning, I hear a rustle, see branches quake, a squirrel in the nautical sway of his perch just long enough to nab a fig. Now if only my wits would stop playing their carnival slight-of-hand—one walnut shell with the past, another the present, the third a tease of radiance threaded with nightfall. The tide washes in through wooden grain, rings of the once-tree like record grooves, every tune captured, saved into a playlist—what I never tire of hearing and what I never want to recall, sometimes all at play simultaneously. Pick a melody, a snatch of lyrics, and try follow it a few measures before another imposes its independent words, rhythm and key. The squirrel has it easier—just one fig to reach—provided it doesn’t lose its balance.
Originally published in Beneath a Glazed Shimmer (Huntington Beach: Tebot Bach, 2021)
©2021 Jonathan Yungkans
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