August 2021
Bio Note: I don’t write a lot that’s autobiographical, so I guess I tried to make up for a lifetime of self-avoidance in this poem, covering a lot of years in one blow. I’m probably doing more graphic art than poetry right now, but I still consider poetry the closest to my central core.
My Father Has Lunch With Chou En-Lai
In 1939, just before I was born — after my father had met my mother in Manila, after he had courted her in letters from India, where he played polo and once hunted tigers, but never shot one. after they had gotten married in Rome, after he had taken a stateside assignment in Washington, after she had become pregnant with me, my father shared an office in the State Department with Donald Hiss, who was the brother of Alger Hiss. None of these lasted. The war started. My father was posted to China, where Chou En-Lai’s Communists shared an uneasy truce with the Kuomintang, as the U.S. did with Russia. He had lunch with Chou En-Lai, and was later invited to Chou En-Lai’s home. Chou was indisposed, but another Communist general was there, and Mrs. Chou served them a nice lunch. My mother moved to Woodstock, where she fell in love with a sculptor, and they were married. After the war, my father returned, like MacArthur, to the Philippines, and my brother and I went with him. We fought with slingshots against Filipino street gangs — at seven and five, I’d guess we were overmatched — and my father married again, to a woman from Boston. When Chou En-Lai took power in a hostile Communist China, with Chiang Kai-Shek in retreat to a feckless Formosa, and Whittaker Chambers led the FBI to that pumpkin field in Winchester, Maryland, we were on our way to Australia; when Alger Hiss, branded a Communist spy by Richard Nixon, had begun his term at Leavenworth, I was back in Woodstock with my mother and her sculptor husband, and my father was in Lisbon, Portugal, which had been a haven from the Nazis, and my brother was with him, because by that time, it was considered necessary to get him away from my influence. So I was the subversive? I didn’t feel like one. I felt scared, most of the time. I was at boarding school in Millbrook, New York, later to be known as where Timothy Leary did his famous experiments, but not then. Then we gathered, on fall mornings, to watch the headmaster ride to the hounds. That didn’t last long either. I was thrown out of Millbrook. I went to live with my father in Washington, Connecticut — that wasn’t to last either — a town whose village green had white spires on one side, a boy’s prep school on the other, and retired foreign service officers nestled in the hills, where they read the New York Herald Tribune and the Foreign Service Journal. At this time my sculptor stepfather was in India, and Angkor Wat, in Cambodia, but he never got to China. He had been invited by the Peoples’ Commissar of Culture, but our government wouldn’t let him go. For that he was investigated by the FBI; HUAC knew about him, but he was never called in to testify, to name names, he was never blacklisted. As it turned out, I was the one who was blacklisted. When it came my turn to dodge the slings, the U.S. was in Cambodia, fighting a secret war which spilled over into American colleges. I was overmatched on that front, but only careers were lost there. In China, Chou En-Lai was still alive, but this was the Cultural Revolution, so I don’t know about that commissar: good chance he wasn’t. My father still lived in Washington, Connecticut, where he opposed the Vietnam War, but voted for Nixon anyway, and Ford, but he drew the line at Reagan, during whose second term he died, within a month of my mother. My sculptor stepfather had died ten years before — in the same year as Chou En-Lai, as it happened. I live in his house now, the house he and my mother built, beside the sculpture that grew to 6 1/2 acres, encompassed hundreds of thousands of tons of stone, and took 37 years of his life, excepting only the two years he spent with my mother in Italy, and the half year traveling in India and Cambodia. I have gray hair now, and grandchildren.
©2021 Tad Richards
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