August 2021
Mary Makofske
makofske@warwick.net
makofske@warwick.net
Bio Note: During the pandemic, I was sorting through some memory poems and rediscovered these. Only recently have I begun to write again in earnest. My latest books are World Enough, and Time (Kelsay, 2017) and Traction (Ashland, 2011).
Anacostia River, Washington, DC
My first concept of river. It wasn't a place to stroll, though couples parked on its flats after dark, the stench just another taboo ignored. Each time we crossed Sousa Bridge I saw that brown effluvia laying down a border between the government and the neighborhood I lived in, though we were, in fact, one city. I was never tempted to sail those waters. That I could swim in a river was a notion that never entered my head. ~~Author's Note: I've always been accident prone, and age hasn't helped. I'm constantly telling myself, "Keep focused. Be careful." Running full tilt and hiking mountainous terrain are no longer in my repertoire.
A Lesson
At a table in a Jersey restaurant where we celebrate the upcoming wedding, the divorce attorney pulls from her purse a new one-hundred-dollar bill and holds it to the light on the wall behind her. There's something gossipy and familial about her explanation of how to know a counterfeit, as if she's revealing the secret of telling the twins apart. Echoing his portrait, Franklin's shadow is easily visible when light shines through the paper, and yes, the vertical line as well. What do the other patrons think of this revelation, the attorney still twisted in her chair to hold the bill up as her voice now assumes a courtroom tone? What do I think, a woman of small denominations, not sure I've ever held a hundred-dollar bill? The attorney's business is making great matter out of small distinctions, tallying deceptions and disputed money that press a wedge between vows, but tonight she shares this knowledge gratis, showing the difficult bond of our currency, its fine markings that must be so lovingly copied to a product the innocent will trust. It may be the wine that makes the whole enterprise, legal and illegal, begin to resemble a courtly waltz. How we depend on each other, counterfeiters so artful they support those whose living it is to make their task impossible.
Originally published in Traction (Ashland, 2011)
©2021 Mary Makofske
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