August 2021
Robin Chapman
rschapma@wisc.edu
rschapma@wisc.edu
Bio Note: I’m growing milkweed for monarchs in my front yard and monarda for bees in in the back, and food and flowers for our table at Madison’s community gardens in Eagle Heights. I’m also a poet and painter (and planning to try to relearn guitar when geared tuning pegs can be installed). The Only Home We Know is my tenth book, available from SPDbooks.org.
The Lake Above
I hear Will's soft talk to himself float up as he climbs the stairs, the laundry begun, a quiet murmur that accompanies him as he goes out to make his kayak repairs, doing chores in a day of heat too extreme to stay out in but nice, in the shade, for late breakfast with our yard's blue jays and robins taking lackadaisical baths, and the white daisies whose faces open hopefully to the blue. Our talk floats up slowly to the vultures adrift high overhead as we eye the clouds, wrung dry of moisture, evaporating in light wind. Looking up, Will wishes for easy passage among those white shapes; reconsiders the kayak, rudder fixed now, ready to sell— how a quiet lake would reflect it all.
The Clocks of Monticello
The clockwork machines of the Enlightenment still worked in every room, twenty years ago: a seven-day clock telling the days of the week (Sunday’s mark cuts a hole in the floor), gears turn the pages of five books at adjustable speed, yoked arms ready to copy Jefferson’s every writing act— crates of Europe’s gadgets shipped and carted back, a hundred thousand dollars still owed at his death. We move through at five-minute intervals to be shown our history— a library of leather-bound books, French cabinet beds, drafts of the Constitution and Bill of Rights, the dumb waiter and pass-through made to conceal the house slaves at work as the family dined—the house restored to its Palladian lines in red Virginia brick after collapsing years unwanted by either side, north or south. Only small signs mark where the shacks once stood that housed 150 souls– as if all this cleared mountain top, this vegetable garden of a thousand feet growing forty kinds of peas for Jefferson’s vegetarian old age, the winding villa paths, the business of making nails and fine writing desks, had sprung up like clockwork from gears amplifying a guiding hand, not the many hands and minds at work. For the field slaves an outdoor clock, only one hand, enough to approximate the hours of labor between dawn and dusk, when dark freed them to harvest their own garden plots.
©2021 Robin Chapman
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