April 2021
Bio Note: Since I have received the first vaccine just this past Monday, and have been feeling
ok except for a sore arm, I’ve been thinking about the things I’ve put out of my mind that may become available.
Small or larger pleasures I hope not to take for granted, and a lessening of fear. And then there are the things
that still threaten us. My poetry lately is a combination of relief, hope, and grief. I guess that’s how life
always is, but certainly highlighted in the events of late.
Photo by j.lewis
To Know a MonarchTo know it only as a photograph, a memory. Never to witness again a community of millions clustered on Eucalyptus branches, now empty. These fragile slivers of stained glass no longer clinging to winter respites. What is a world that would allow this extravagant pollinator to die off? This migrational miracle. Rumi says, You were born with wings, why prefer to crawl through life? I want a humanity that weeps copiously for this animal who starts off in a crawl, shows us how to fly. I want processions, dirges everywhere, want to howl over milkweed, bereft, without purpose. So much loss. I want to rend my garments. Burn kaleidoscopes of butterflies into my skin. What good would that do? Or I could slice open the sky, so their ghosts torrent down. What do I know of softness—my origins in an ice-house, in a tradition of cruelty, of abhorration, torn appendages. Where are the wings for this? Where the flashes of orange slipped through our fingers?
Originally published in The New Verse News, February 6, 2021
Try Not To Be Afraid of This Drought
The only place I have to hide is inside my poems. Ocean Vuong in an interview on February 18, 2016 So many clouds and the feeling of rain. But nothing pours. Everything shrivels. So dry, the earth, begs the sky to squeeze a few drops out of its mouth. So dry, trees gasp, roots split into parched cracks. We hide, thirsty, inside this poem, only words to drink. Inside this poem all the fear in the world. And all that we lose. Then, the oranges, juice dripping, and pomegranates, wild red seeds staining. Their tree-roots beseech the subterranean lake, so deep, Find me, sunken under, Water me. So much I’ve lost under my skin, down in the secret parts of me. Some things, no return. But to come, the smell of rain, the rain itself, the tears.
Originally published in The Full Moon Herald, Grayson Press, 2020
Phlebotomy
For Jack Ridl He introduces himself just before the needle, My name is Rodel, he says, after my dead brother Rodelio. I offer my arm and the blood slips into his vials, two needed this time. My brother died at three months, he says fifty years ago in the Philippines, my only brother. I don’t usually watch the red liquid from my body course into the tube, today I want to see it fill up the ampules that will bear it to the lab. Is it thick as the blood between these Asian brothers? I ask him, is there a reason he told me this today? How he couldn’t have known about you, your also-lost brother, the poem you sent me just an hour before. Your brother dead in the womb so many years ago.The brothers neither of you would ever have. Both of you, only sons. Rodel, thirty, you past seventy. How the two of you became friends through my blood. My blood on the way to the lab, coagulated into numbers of discovery, useful information, possible hope. Your brothers’ hemoglobin in your bodies forever. Blood brothers. Stories of possibility lost in the dirt of death. Sports never played, careers never found, no teaching how to throw a ball, how to lose your homework. How you both live on in their shade, their voices whispering about what could have been. My blood on the way to its future. All blood, transfused with the ways of our losses, our passage.
Originally published in The Full Moon Herald, Grayson Press, 2020
©2021 Phyllis Klein
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