November 2020
Bio Note: I’ve been reading Dennis Finnell, the subject of this month’s Poetic License column,
for more than forty years. We’re also friends, and for a number of years in the 1980s and 1990s we carried out
the experiment of putting our letters into poetic form. Once revised, a number of these poems eventually appeared
in our books. In honor of Dennis’s new Selected Poems and our long friendship, I thought it might be interesting
this month to offer three of mine. For those who don’t already know me, I’m a retired college teacher and unretired poet
and amateur photographer. More detail on my doings in poetry and photography available on my website (link above).
Nothing
So I was afraid to speak up, speak well, afraid of rank snakeskin, fishscale, mushroom, and when it rained, afraid of the lightning no one can see, afraid of tornadoes slicing across the TV weathermap and the day-after front page photograph. When wind slackened I was afraid of flood, of the dark that passes all understanding. So I was afraid of the knucklebones of my sick grandfather, wrapped all day around his pipe, knocking ashes down: so. So I feared the rebellion of my cells, that past my growing years they might not stop, as shadows on the bedroom wall revealed my shape-shifting, fear-laden silhouette. So if I had reasons for my unreason, when morning came I forgot my fear as a mother forgets each labor pain. So I feared the examined life I would lead, though throughout life I have remained a child, with brimming fear at every open door, with fear elastic and often welcome, with one eye on the ceiling, one on the floor, for the one will fall, and the one will rise, and nothing to fear but nothing itself.
Originally published in Doggedness. Devil’s Millhopper Press, 1989.
Kinds Of Jazz
One song says it right: a whole lotta shakin's going on: upheavals in other lives I read about with bagel and coffee before I pack my briefcase and forget my way to work. When I ask my students who Joseph Stalin was, or when World War I ended, I get row upon row of blanks. And these are people, I complain to friends in barrooms, who know every World Series like a catechism, who know to the cent how much an engineer or lawyer makes. Am I much different? I know each song the Beatles recorded, but could not give any clear apology for my life. History comes with its own radio: haunted tunes I recall as year of war, year of riots, year of school or marriage. I listen for history's jazz, but the music of what happens is a poor thing compared to the great as if, which is music jazzed beyond reproduction. One night I heard a blues guitar so fine it was like a dentist's drill full of love, a conversation between one scripture and the next. That man onstage in his blue suit, that corny, fat father of the beer commercials, played his jive so hard it came true, right there in the smoky spotlight where I'll never be. I loved even his jazz between numbers, jokes old enough to shine. I take that night's improvisation as fact: scat sung well replenishes thin voices. I loved how a phrase, left hanging by the trumpet, would be gathered in his hands and strung like a spiderweb in the light.
Originally published in Second Wind. Texas Tech University Press, 1990.
This Temporary Map
They say the rain in this country has teeth, that it eats tin off roofs of summer camps. Green Lake is nearly blue. Blue Lake's so pale you can watch cloud-froth slide across its sand and think this world a perfect mirror of itself. Though the Adirondacks are old life here is new, and hard: on glacier-scraped rock lichens and mosses took thousands of years to build enough soil for a fern or shrub. It's easy to say thin soil makes hard lives. After Labor Day, when gift shops are shut, docks beached, and pipes drained in summer houses, you can begin to hear the loons calling from the invisible heart of the lake. They say hardship though it sounds like laughter. They say slim pickings and head for the sea. We leave too, my friend, back to our jobs and telephones. Who remains? It's easy to say they are the stoic guardians of life, that their trailers and wasted gardens are matters of choice. Snow flies by Halloween. Concentric rings of snowmobiles will park in the neon halo of each year-round bar. This county without a stoplight was home to my family once. Now I'm a guest, you're my guest, and when like garbage-spoiled bears we return to this greatly emptied house I suppose ours will be no life they could recognize. We're no more than ink splashes on maps held in the minds of natives. Let's sing a lunatic song of praise anyway: of course this evergreen air smells of boat fuel, naturally the trout died and rose again as a story we cannot live without. All rain is acid, eating the landscape in memory. Any map's temporary, like a family tale altering itself, like a difficult friend improving with time.
Originally published in Doggedness. Devil’s Millhopper Press, 1989.
©2020 David Graham
Editor's Note: If this poem(s) moves you please consider writing to the
author (email address above) to tell him or her. You might say what it is about the poem that moves you. Writing to the author is the beginning of community at Verse Virtual.
It is very important. -JL