December 2020
D. R. James
james@hope.edu
james@hope.edu
Bio Note: High, cold winds today brought sleet, a power outage, and extensive oak-leaf-downing to
our little realm in the woods near Saugatuck, Michigan. Nevertheless, I was grateful to see a neon-headed, red
-bellied woodpecker drawn to the fresh supply of shelled peanuts dangling from the shepherd's hook just out of
reach of the squirrels. As I write, only two days before the election, three weeks remain in our shortened,
concentrated, somewhat-remotely conducted college semester, and I'm grateful it looks like we'll finish by
Thanksgiving without having to send students home from our bubble until then. Then, by the time this issue
drops, I'll be two weeks into an unheard of seven-week holiday break. And who knows what lies ahead after that,
either for our nation and world or my little college. My ninth collection is Flip Requiem from Dos Madres Press (2020).
Butterfly Solipsism
A butterfly’s flapping over Costa Rica, it’s sometimes considered, could initiate the chain that leads to tornados in Toledo, hopping and ripping the heart from every-other quotidian home. Or maybe its deft stretch-and-glide could instigate the violent Mississippi’s surprising rise beyond its subtle, stolid realm— the dainty queen behind that vast rebellion. So I suppose I could blame this monarch that reigns today’s thermals—that just licked six purple puffs in beach grass then juked my breezy mind— for the nicknamed waves of catastrophe soon to sweep a sleeping Gulf, the nightly news even proving it via weather patterns green-screened before the stocks and sports. But instead I’m turning my grateful face toward the nor’easter just breaching the stony coast of my brain: when it rattles shutter to sash to rafter, I’ll unlatch the deadbolts, throw open the windows, and ready the musty guest bedroom of my heart in welcome.
Originally published in A Little Instability without Birds (Finishing Line Press, 2006)
Same Old Same Old
Three teen deer have begun of late to make daily dusk-time stops out back, their flat flanks and thick, angled necks depicting stumps and trunks that then move and materialize and re-blend as their busy muzzles forage-and- freeze them across the far lawn. How ever inventive their camouflage. Of course, once I look up, so do they, slightly white faces and twice-twitching ears alert to any budge. And if I stand, even gradually as a yogi, they hop and spin and crash backward into slits that open in the brush and oaks that just as quickly close behind them. I’m showing you nothing you don’t know, and know you also know that doesn’t matter, that you, too, would stop, lift your face, and love them every time.
Originally published in Peacock Journal
Since Everything Is All I’ve Got
Eighty-eight degree cicadas. A cat who knows to wash with those luffas we call paws. This morning’s lacy light, which also moves the leaves. Squirrels, not a slow-twitch muscle in the lot. Cilantro, basil, parsley in little painted pots. Clock with its tick-it, tick-it, like a rhythm, like a tiny cycle. The safest story behind whatever, like the whether this or that: Garage door? Sycamore? Extension cord? No, only a chair on its own, cobweb in its corner. Yes, just so: a pure urgency for more silence, less chance to become unlucky. Grass, branch, dismantled fence—emblems, all, for sewing on the sleeve between one’s lumbering sorrows, one’s existentialities. The local birds, anxious and aboard their feathers. Herons, somewhere, hungry in those shallows, working hinges we call elbows. Needles, maples, manic ant hills, the clouds I’ve noticed, the clouds I’ve let get away. Gray but expanded asphalt, dark black in the cracks and crescendos of kids skidding, the littlest always last, the largest largely never. Heart forever conscientious, so clever under cover. Mother twitching while also shrinking. Wall and popping nozzles during early morning sprinkling. Lists of lists, reminders to remind. Beach at the end of every westward road. Stairwell, bike rack, barbecue utensils. Tail on the string on the bamboo chimes, waving in what we will call the wind that simply isn’t visible, stirring an island song out over lawn, curb, and manhole cover, over everything, which is all I’ve got.
Originally published in Since Everything Is All I’ve Got (March Street Press, 2011)
©2020 D. R. James
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It is very important. -JL