March 2016
Michael L. Newell
astrangertotheland@yahoo.com
astrangertotheland@yahoo.com
I have lived approximately one third of my life outside my home country of the United States. I have been a teacher, a professional actor, a federal bureaucrat, and a life long nomad, even here in the states. My work has appeared in sixty or so magazines in the states and a half dozen magazines in England. After a 27 year career as a secondary school English teacher, twenty of which were spent abroad, I retired to coastal Oregon 14 months ago where I lead a quiet life which includes walking five or six miles most days. I have had ten chapbooks and one book published, all of which are out of print.
Neither Elegy nor Hymn
The withered figure bends over the guitar
his fingers subtle as goose feathers
coax melody from his ancient strings
a sound like the wind through falling leaves
or a distant crowd murmuring beyond a hill
His whole life rises round him
Sarah who shared sixty years but now is dust on a breeze
his estranged son buried in a field in Southeast Asia
a daughter who finds it embarrassing to call him father
no one left alive who calls him by his first name
His body enwraps the guitar as though it were a weeping child
imagine dolor given shape and you see him
parchment is less brittle than his skin
the ocean less fluid than his tune
do you hear its steady weeping a lullaby perhaps or incantation
An Old Actor, An Abandoned Theatre
The stage lies bare and ruined,
No sets, no actors, no dreams.
Yet something won't know its end.
There are whisperers who blend
Their voices into pale streams.
The stage lies bare and ruined.
In the moonlight figures wend
Their ways over fallen beams.
Here something won't know its end.
He thinks he sees an old friend
Who first played here in his teens.
The stage lies bare and ruined.
All through the ruins, the wind
Sends a deep-throated keening.
Here something won't know its end.
Hist, hist, more voices tune in:
Who are these, what is their theme?
The stage lies bare and ruined,
Yet something won't know its end.
-Previously published in Empty Theatres (Wayfaring Stranger Press, 1996)
Life as a Folksong
ho daddy ho
can't jump start the words
locked up tight
garaged in my smoky throat
jenny dang the weaver
who wove my feelings
into this labyrinth
where no light goes
no lark in the morning ever flew
higher than my dreams no wounded bird
dropped into deeper grass than my mind
when hope vanished along a winding road
no orphan train pulled a heavier load
than my feet shuffling through a mountain pass
toward the ocean where waves
would rock me in the cradle of life
just another wayfaring stranger
docking in your harbor loan me
a compass and I'll be on my way
the river be wide and I have days to cross
just a drifting log rolling and bobbing
one day picking some old dance tune
on your banjo you'll look around a corner to see
me knocking splinters loose from your rickety door
we'll find a shady grove and forget these
prodigal years a long time traveling a long time gone
give us a drink of water and let's stretch out
to watch the wind that shakes the barley
-Previously published in There's An End To It (Lockout Press, 2002)
©2016 Michael L. Newell