March 2016
I'm a teacher at Chapman University in Orange, California. I've also worked as a dramaturg for The Wooden Floor. My poems have appeared in Ploughshares, North American Review and other journals, and I've been nominated for a Best of the Net award for poetry by Lascaux Review. As a grant writer I raised over a million dollars for the social programs of Catholic Charities of the East Bay.
Sunday Afternoon
On the way to a dinner
With my wife and children
Through a suburb
In southern California
Of small green lawns
And ranch houses,
I saw a lean gray
Coyote trotting across
The road, up onto a yard
And towards a fence
Until I drove past and lost him.
He is a trickster of course
In some traditions
But he looked to me
Like a creature who’d lost his fear
To hunger, almost.
I think for the first time in years
Of the man who fooled
Two friends and me
In a narrow pizzeria
With a shell game on one
Of our first nights out
In college—he played it
For us three or four times
So poorly with an affected
Drunkenness until we bet him
Twenty dollars, and then
He fooled us good and
We guessed wrong
And he was on his way.
Thus we were welcomed
To our sanctuary city.
Portland Heroism
To the thirteen
Hanging from St. Johns Bridge
To block the passage outward
Of the MSV Fennica
Headed to break ice for Shell in the Arctic--
I am reminded of Mario Savio saying that one becomes sick at heart
By the operation of the machine
And the only solution is to put one’s body on the gears,
To be torn to pieces, unless,
As I interpret the current of the metaphor,
A humane hand stops the machine, licit or no.
The Fennica has turned back
To dock again in Portland
And a representative of the protesters says they won’t move until
Obama revokes Shell’s permission to drill in the Arctic.
They have been told by the police
That they are unwelcome.
They hang between the plane of the bridge and
The expanse of the water,
And it is as if they have stopped time in the midst of a fall
And in that moment there is a day
That is the stillness of the machine
For a few whose trespass is hope.
©2016 Brian Glaser