June 2016
James Keane
jkeanenj@optonline.net
jkeanenj@optonline.net
I am a retired business-to-business PR and publishing professional residing in northern New Jersey with my wife and son and a shrinking menagerie of merry pets. I began writing poetry (not very well) 100 years ago as an undergraduate at Georgetown University, where I earned bachelor's and master's degrees in English Literature. My poems have appeared recently in Contemporary American Voices (I was the Featured Poet in the January 2015 issue), the Wilderness House Literary Review, Blue Monday Review, and Atavic Poetry. In 2013, I celebrated (mostly by smiling a lot) the publication of my first poetry chapbook, What Comes Next, by Finishing Line Press. A lifelong Giants fan (New York and San Francisco), I still can't believe I lived long enough to see them win three World Series in five years. If you'd like to see more of my work, please click on http://www.whlreview.com/no-9.4/poetry/JamesKeane.pdf.
Sitting in the Park of a Young Couple
Across the street
from my poems three
patrol cars con-
verge to a halt: Charging
over the park grass
you hoist your baby boy.
Monologues
melting into my lap go
lagging
begging: Who is emerging
from the bicycle shop
on foot with six policemen.
Why are you flipping out
ice cream lids – then arching
your tummy over taut
arms and legs. Over
pasty footlights
gleaming bumps baby
boy, now grinding
to a halt: Suddenly your
legs and arms
flop, both hands
beseeching, till
back bumps baby
boy jiggling
jiggling
jiggling
jiggling – May my
hands quietly
part your hands,
gently spread
my arms, your legs
to reach, reach
reaching
like a late-night Mummy
screeching
in silence
till baby boy plunges
giggling
giggling
giggling
all over
your tummy.
Originally published in Open Wide.
Waterfall
Slipping
all the way up
through trees, we
grasp at straw-
like branches lining
the path away from the steady
crash recovering
into a steady pool
when the silence pinching a wiry
man shoring up a stolid
woman staring
at nothing
points us back to the smooth
clamoring
the glaring
machinery
called water
works.
All the way back
down
through the trees
we pull ourselves
together again.
But rock to rock
to a rock-solid
ledge, settled
in a hunch
on the outer edge,
we grope
until there is
nothing
to say
or do, but
listen
to the water
Originally published in the Southern Ocean Review.
©2016 James Keane