July 2016
Poetry is a lonely business, but I have a friend who plays guitar, and when I play bass with him, I find community. My most recent book is In This Place: Selected Poems 1982-2013 and I've had recent poems in Hummingbird, Atticus Review, Hamilton Stone Review, and other literary magazines. I'm honored to serve as managing editor of the Lorine Niedecker Monograph Series, What Region?. I blog as The Middlewesterner (www.middlewesterner.com), and have put up at least five little poems a week since mid-2008.
His Ars Poetica
He does not wish to
play games with words,
does not want to shim
the sound and beat
to something it is
not. Dammit, he says,
people are dying.
Can't we just say that?
Always, somewhere,
the residue winter
leaves for spring. You don't
want to clean it up,
yet the green needs us.
A girl walks by, crying,
and when she turns, her
angular movement
catches beauty.
Can't we just say that?
The storm killed people
to the south of us. Ice
killed them to the north.
Dammit, he says,
what does death rhyme with?
It rhymes with nothing.
Can't we just say that?
What the Poet Wanted
How he wanted
to see and not
be seen, to tell
what he had seen
disembodied.
The glowing moon
on water, the skin
of the image,
there and not there.
Only the story, not
the teller of stories.
Stones in His Bones
Not many bones
in his poems
but there are stones.
He talks to them.
They talk to him
about the stars,
the moon, about
what distance is.
About what is
cold in sun and
warm in the heart
of things. About
how far one goes
for silence and how
silence understands.
Old Poet at Evening
The last churr of the cricket.
The evening turns.
Autumn is coming at him.
Winter whistles in the distance.
He holds his breath.
The stars are disappearing.
Yet nothing is truly lost.
Patience
Mostly waiting.
The poet holds
his empty cup.
©2016 Tom Montag
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