December 2016
Robert Wexelblatt
wexelblatt@verizon.net
wexelblatt@verizon.net
I live near Boston and teach philosophy at Boston University. Besides academic pieces, I write fiction when I’m up to it and poems when I can’t help it. I use a fountain pen—my link to tradition—and write to music. I’ve published essays, stories, and poems in a wide variety of journals. My most recent book is Heiberg’s Twitch.
Paper Grading One snowflake, a few, a dozen. . . mere flurries; a couple billion more and you’re snowed in. One cancer cell, twenty. . . an anomaly to watch; add a hundred thousand and you’re defunct. Sooner or later, Marx remarked hopefully, a quantitative change turns into a qualitative one. The essays lie on the floor, neat as a fresh consignment of mortar shells. In the end, value only comes from scarcity. Good ones will be rare, of course, but even of the worthy there can be too many. Jam-pack your museum and masterpieces seem cheaper. Europe’s got too much Rubens and not enough Vermeer. But the bulk will be mediocre efforts, joyless and lukewarm. You can smell the duress they were done under. If there were only ten or twenty I’d remark on every paragraph, praise each graceful phrase, pose queries to provoke one more foot of delving. I’d explain patiently why based off of and amount of troops drive me nuts; I’d draw a broken statue beside its plinth or a Cuisinart crammed with a battalion of conscripts. But then there might be one emitting a yellow aura, not a dead report mais un essai vrai that stirs, a veritable voyage, not a walk around the block; a forest trek to a misty meadow drying in the sun; a drop down a shaft into blackness veined with gold; the ascent of a mountain to a prospect of some unexpected province, prosperous and green. After the Exam I The coffee rushes to meet the cup which so embraces the darkness as to become dark itself. Smoke unfolds in the suddenly uncharged office air, like thought. Take off the armband, put up your feet, breathe. How was the hall? Filled up, crammed with hyperventilations, expectations, alternately seated, brimful with the anxiety of the special occasion; the proctors and proctees grudgingly trapped by one another; the lights too bright; the time about to be savagely scrawled across the broad tabula rasa; bluebooks stacked and uniform as artillery shells. Then whispers slowly ceased; heads bent over; faces screwed themselves into the set task. Questions begot answers. II Students take your pens and write— though you may be scared, uptight— answers that just might reveal part of what you know or feel. Tests like roses age and fade; in a week or two your grade, that fresh bloom, will turn rotten and shortly after be forgotten. Still, this jagged electricity bears an odd sort of felicity. It’s harsh but true: the ordained doom of the cramped and clammy womb is set upon us, every one. The clock’s a proctor; till you’re done the world will set you test on test and scarcely note who does the best. III The discipline of the ribs holds the heart. Compassion is futile, for what can you do short of spoiling the moment by shouting: “Here, here are the answers. Now go home and stop suffering!” No, a test is the freest of all possible gifts. The earth is full of stones against which you can hone your knives. Ribs do not merely make a cage. |
“Paper Grading” first appeared in Foundling Review
“After the Exam” first appeared in Hawaii Review
©2016 Robert Wexelblatt
“After the Exam” first appeared in Hawaii Review
©2016 Robert Wexelblatt
Editor's Note: If this poem(s) moves you please consider writing to the author (email address above) to tell him or her. You might say what it is about the poem that moves you. Writing to the author is the beginning of community at Verse Virtual. It is very important. -FF