September 2015
Kenneth Pobo
kgpobo@widener.edu
kgpobo@widener.edu
I have a new book forthcoming from Blue Light Press called Bend Of Quiet. I teach creative writing and English at Widener University in Pennsylvania. One of the ways we endured this winter was watching the birds at our feeders. And, of course, listening to music.
Walk in an Autumn Cemetery
The dead are so alive,
while we, the living,
stroke TV and computers.
Not that I’d change places—
I’ll have to soon enough.
Coffins cramp and cremation
sounds odd to a guy like me
who hates hot weather. But
a cemetery, calm and quiet,
why feel uneasy there? Epitaphs
reveal the dead more
than decades of words when
they lived—a smoker’s epitaph:
I made an ash of myself.
Many dead have that insouciance.
The living have
situation comedies. As I walk,
cat maples sit still,
stretch and watch.
A red leaf
runs up like a message boy
with a telegram: You’re next!
it reads. I bolt—
grass arms hold me in place.
-first appeared in The Battered Suitcase.
Hortense
You don’t look like a bird
who wants to make friends. Your eyes,
swamp water at night. I could drown in them
whether I’m careful or not. You gnaw
mouse guts. The Wildlife Center
tends to your wishes,
lets you walk around before they open.
You run the place, not them.
I’m told you’re around forty.
With a broken wing, you hardly made it
to the sky, didn’t have the pleasure
of fixing your stare and leaping down,
claws out. Maybe a turkey vulture
shouldn’t have everything done for her.
If one has to be pampered, I’m glad it’s you.
And sad too.
8:45 P.M.
When Jeff and Jerry sit on the couch
after a long day, they often say little.
Peggy Lee rides a sleigh
out of the propane fireplace. Sometimes
they don’t even wave,
even when she sings “Is That All There Is?”
Silence, an unplugged engine, beautiful,
in its way, like a glass filled
with artificial snow, shaken, set on the mantle.
Silence is a horse that lies down in the field.
Some days it’s best to send words out to play.
Sit like two Buddhas, stone,
the world slipping
into pajamas and going to sleep.
The dead are so alive,
while we, the living,
stroke TV and computers.
Not that I’d change places—
I’ll have to soon enough.
Coffins cramp and cremation
sounds odd to a guy like me
who hates hot weather. But
a cemetery, calm and quiet,
why feel uneasy there? Epitaphs
reveal the dead more
than decades of words when
they lived—a smoker’s epitaph:
I made an ash of myself.
Many dead have that insouciance.
The living have
situation comedies. As I walk,
cat maples sit still,
stretch and watch.
A red leaf
runs up like a message boy
with a telegram: You’re next!
it reads. I bolt—
grass arms hold me in place.
-first appeared in The Battered Suitcase.
Hortense
You don’t look like a bird
who wants to make friends. Your eyes,
swamp water at night. I could drown in them
whether I’m careful or not. You gnaw
mouse guts. The Wildlife Center
tends to your wishes,
lets you walk around before they open.
You run the place, not them.
I’m told you’re around forty.
With a broken wing, you hardly made it
to the sky, didn’t have the pleasure
of fixing your stare and leaping down,
claws out. Maybe a turkey vulture
shouldn’t have everything done for her.
If one has to be pampered, I’m glad it’s you.
And sad too.
8:45 P.M.
When Jeff and Jerry sit on the couch
after a long day, they often say little.
Peggy Lee rides a sleigh
out of the propane fireplace. Sometimes
they don’t even wave,
even when she sings “Is That All There Is?”
Silence, an unplugged engine, beautiful,
in its way, like a glass filled
with artificial snow, shaken, set on the mantle.
Silence is a horse that lies down in the field.
Some days it’s best to send words out to play.
Sit like two Buddhas, stone,
the world slipping
into pajamas and going to sleep.
©2015 Kenneth Pobo