October 2015
Steve Klepetar
sfklepetar@stcloudstate.edu
sfklepetar@stcloudstate.edu
I'm an old dog, a recently retired college professor who was born in Shanghai, China in 1949. My parents were Holocaust survivors and
refugees. I grew up in New York City and spent my teaching career in the Midwest - Wisconsin, and for the past 33 years, Minnesota. I've been fortunate to have received several nominations for the Pushcart Prize and Best of the Net, including three in 2014. My recent collections include My Son Writes a Report on the Warsaw Ghetto (Flutter Press) and Return of the Bride of Frankenstein (Kind of a Hurricane Press).
refugees. I grew up in New York City and spent my teaching career in the Midwest - Wisconsin, and for the past 33 years, Minnesota. I've been fortunate to have received several nominations for the Pushcart Prize and Best of the Net, including three in 2014. My recent collections include My Son Writes a Report on the Warsaw Ghetto (Flutter Press) and Return of the Bride of Frankenstein (Kind of a Hurricane Press).
Editor's Note: In an email to me, Steve wrote:
...I've been working on a series of Li Bo poems. According to what I've read recently, the preferred transliteration for the great Tang dynasty poet is "Li Bai" (he is also known as "Li Po"). I've chosen "Li Bo" so as to suggest the identification rather than insist on it. My character can be found in contemporary America, in the underworld, and in a timeless state of mind. |
Li Bo (701–762)
Li Bo in the Garden of the Gods
We walk together through the Garden
of the Gods, breathing sunlight
from an impasto sky. “Serenity strikes
me as foolish,” he says, “in an unquiet
world.” The God of Wealth, round-bellied
and green as jade, smiles above
a reflecting pool. Copper and silver coins
glint beneath. I rub the smooth statue,
Li Bo raises his empty hand. Coins
jingle in our pockets. Hungry, we amble
to the teahouse, find a table in the shade.
Our waitress glows like a silver moon.
She speaks of sugar and cakes, and then,
mouths stained, we find ourselves
alone by the side of a restless sea.
It roars in our ears. Li Bo strips down
and rushes into the surf. Soon I see him
bobbing far out, a black speck among
white sails and surging fins. Glare stabs
my eyes. How the water burns, its surface
orange-red, consuming all in a fiery embrace.
Li Bo by the River
“We were falling down
river, carnal
slippage and shadow melt”
-Rita Dove
He sits by the river tossing
rocks. Each splash widens
out in circles
of golden worlds.
“Look,” he calls, standing
at water’s edge
where grass meets river and rock.
“See how the banks tear
apart, how willows roar in their green
silence!” He speaks and I see
in his words a wound in the earth,
a seizure in the north, where
glaciers had their birth, and my breath
hangs in amazement above the current’s rage.
Li Bo Drinks From the Well of Forgetfulness
And yet, he forgets nothing,
neither temple bells nor the sight of geese
lingering beneath a breath of cloud.
He recalls the gentle curve of his lover’s
foot, her fingers weaving through his hair,
his body opening like a secret door.
Water’s icy touch reminds him of winter
mountains, driving slick roads in early
dark, eyes bleeding tears as he struggles
up against sleet. His tongue recalls
the metal tang of lust. Tonight, his hair
burns, palms and knees recall the scrape of bark.
He is a watchman on the road to midnight
who recalls how coins feel as they fall
into his hand, silver jingling against copper
and gold. He remembers a brown house
with windows blinking like a hundred eyes,
a yellow dog circling and dragging its chain,
a tall girl painting in a meadow beyond the pines.
He can see her surrounded by Queen-Anne’s-Lace
as she works in summer sun, her wrist’s practiced
motion daubing the canvass with light. Her figures
descend, backs bowed by buckets dangling
from shafts that dig like memory into shoulder bones.
©2015 Steve Klepetar