November 2015
Van Hartmann
van.hartmann@gmail.com
van.hartmann@gmail.com
I live in Norwalk, Connecticut, with my wife, fellow poet Laurel Peterson, and I am a Professor of English at Manhattanville College. I have published a book of poems, Shiva Dancing (Texture Press, 2007), a chapbook, Between What Is and What Is Not (The Last Automat Press, 2010), and individual poems in various journals.
Author's Note: "Thank You, Mr. President" was written in response to Laura Bush's disinviting a group of poets to the White House after they had spoken out against the war in Iraq.
Thank You, Mister President
for saving us from poetry,
barbaric yawp of needy voices
crowding narrow pens, unruly urges
breaking measured lines, the root
that cracks the sidewalk, the frost
that heaves the road,
curl and crash of surf,
breach and splash of dolphins,
deep bassoon of whales sounding the abyss,
ice cracking, wind thrashing,
groan of pine bent beneath the snow,
rumble of caribou, gallop of horse,
steady stroke of goose, lazy flap of crow,
arms swinging, hammers pounding,
rip of saw through seasoned wood,
tongues of lovers, legs of runners,
tiny heartbeats in the womb,
schoolrooms full of children laughing,
cacophony of swollen rapids in the spring.
Thank you, Mister President,
for striking up your band,
for giving us a martial meter,
and silencing that mess.
Thanks for beating drums, bugle calls,
smartly snapping flags, tread of tanks,
pulse of rotors, throaty growl of F-16s,
sharp report of rifle shot, machine gun’s
tight staccato roll, thud of howitzer
and mortar shell, tympani of bombs
dropped from droning fortresses
invisible at forty thousand feet.
Thank you for the clear decisive crack
of bone and spine,
the rhythmic spurt of blood,
the shredded arteries,
the severed flesh,
the convulsive tremor
of someone’s brother’s dying hand,
and that deeper, slower, silent rhythm
of corpses decomposing in the sand.
-originally published in Between What Is and What Is Not
Thank You, Mister President
for saving us from poetry,
barbaric yawp of needy voices
crowding narrow pens, unruly urges
breaking measured lines, the root
that cracks the sidewalk, the frost
that heaves the road,
curl and crash of surf,
breach and splash of dolphins,
deep bassoon of whales sounding the abyss,
ice cracking, wind thrashing,
groan of pine bent beneath the snow,
rumble of caribou, gallop of horse,
steady stroke of goose, lazy flap of crow,
arms swinging, hammers pounding,
rip of saw through seasoned wood,
tongues of lovers, legs of runners,
tiny heartbeats in the womb,
schoolrooms full of children laughing,
cacophony of swollen rapids in the spring.
Thank you, Mister President,
for striking up your band,
for giving us a martial meter,
and silencing that mess.
Thanks for beating drums, bugle calls,
smartly snapping flags, tread of tanks,
pulse of rotors, throaty growl of F-16s,
sharp report of rifle shot, machine gun’s
tight staccato roll, thud of howitzer
and mortar shell, tympani of bombs
dropped from droning fortresses
invisible at forty thousand feet.
Thank you for the clear decisive crack
of bone and spine,
the rhythmic spurt of blood,
the shredded arteries,
the severed flesh,
the convulsive tremor
of someone’s brother’s dying hand,
and that deeper, slower, silent rhythm
of corpses decomposing in the sand.
-originally published in Between What Is and What Is Not
©2015 Van Hartmann