November 2015
Robert Wexelblatt
wexelblatt@verizon.net
wexelblatt@verizon.net
I live near Boston and teach philosophy at Boston University. Besides academic pieces, I write fiction (when I’m up to it) and poems (when I can’t help it). I use a fountain pen—my link to tradition—and write to music. I’ve published essays, stories, and poems in a wide variety of journals. A new story collection, Heiberg’s Twitch, is forthcoming.
In November
In November, in November
when the days are wet and dark
and the schoolbus wind explodes
like Ardennes poplar bark,
when the string quartets play football
and the traffic stinks of hate,
in November, in November,
far too chilly, way too late.
Discarding adolescence
we fled the record hop,
whirling frocks, torn blue jeans,
a beat that wouldn’t stop.
Your eyes were golf-course green,
your throat was arctic-white,
my thoughts danced like obscene
things Suetonius might write:
it was November, bleak November,
so nothing felt quite right.
Homeless birds chewed bubblegum,
the sewers ate up leaves,
barbed wire sprung up in your yard
while star shells pruned the trees.
In November, in November
the moon shone on the steeple;
like fetuses curled indoors
we watched movies of dead people
foxtrotting over polished floors
and cycled swathed in Harris tweed
across blank urban moors,
dreamed of providential sparrows
and wars we never fought
with dirks and pikes and arrows,
feared diseases no one caught.
In November, in November
when crime vaults from despair
and the grass is sunk in ashes
and it’s awfully hard to care,
crazy branches black and crooked
rake the empty migraine sky--
in November, dull November,
when it’s what but never why.
In November you remember
that time itself is stark
like a no man’s land that’s trackless,
like a corridor gone dark.
“In November” first appeared in Poem
Nostalgia for November
E-minor was its key, that symphony
of abbreviated days and extruded
nights expelled like ascending divers’ breaths,
pedal-point, kettle-drum and cello doling
darkness a sooty baritone. People
charged into the streets aiming their shoulders
like fullbacks racked by mid-season aches. All
work, no play, fraternal grimaces were
few, like those of sailors sweating at the
pump of some sinking sloop; yet under your
shapeless jumper must have been those holy
places I could tell off one by one but
had no warrant to see or smell or stroke.
Solitary pathos, there’s a cliché
compels no pity. Whoever does not
long to be loved, pleads for no perpetual
proofs, he’s held wise; yet such wisdom feels like
death’s first teasing tickle. The boring film
of crowds flashing by in subway frames
reiterates that life is need, is need,
is the endless panting to have. Were there
a saint among them, one of the thirty-six
just men, even he would shiver in the
descending chill, would for a promise of
love disclose his secret identity,
the Atlas shudder each chilled accountant
and secretary dreads. In bared branches I
glimpsed your naked arms; in the music store
the adagio maestoso of
your curved back; in the braying of drunken
freshmen, the rapture of ancient autumns.
Beside such vigorous folly even
hard-bought wisdom yields poor consolation.
“Nostalgia for November” first appeared in Cimarron Review
©2015 Robert Wexelblatt