November 2015
I am a writer outside of Los Angeles, and I teach at Mt. San Antonio College. I spent the summer teaching and writing poetry in Sequoia and Kings Canyon National Parks. Here are some poems that the silence and isolation of the forests allowed me to find.
The End of Glaciers
In this fourth year of drought, even the glaciers have gone away, even as high up as Precipice Lake. Snow has melted today that fell before the last ice age, before that land bridge formed to Siberia, which brought humanity to this world. It is an ancient water that has slept here since the time before we had hatred and jealousy. It came down on a continent without war and the idea of sin, and when we open our taps this year, we fill our glasses with a wisdom we have forgotten if we ever knew it. May we drink. May we listen to the silence of snow fields and trees. May we learn the peace of ancient times. A Memory of Smoke Today, these mountains are full of the smoke coming off of the summer foothills, summer being the moment of fire in California, and we who were trained about the horror of forest fire by Smokey Bear in childhood and then retrained to discuss the dangers of Smokey Bear as adults repeat our mantra that the fires are merely the first step in renewal or that they are clearing the way for giant Sequoias or any number of platitudes that are true but feel wrong way down in that part of our brains that we share with deer who bolt at the sound of a cone falling that part of our brains that want us to follow the deer through the fields and down to the cool valleys and meadows when we hear that the foresters’ plan, truly the wise plan, is to let it all just burn. Dizzy on Moro Rock Moro Rock juts out of the mountain like some buried god’s thumb knuckle and rises 4000 feet above the chaparral foothills. If you climb out of the forest side and up to the top at dawn, you can watch its purple moths wake up and feast on whatever it is they eat while swallows dive bomb them, swooping over and over in a kind of dance of the morning sun. At least that’s what they did in 1980 when my parents brought me in the cold dark blue light to show me what I could see if I were just silent and watched and of course the joy of that moment moved into my childhood legs and made me dance on the edge and sing my favorite song, “Salt Peanuts, Salt Peanuts,” until my father called for me to join him and we watched the slow motion explosion of a sunrise over the Great Western Divide. I suppose that nothing about this dawn has changed except for me who sitting at the bottom of the rock imagines the top and the horror of the fall, that three minutes of thinking about all of the things I’ve missed, everything I’ve failed, how much of myself I’ve lost. Falling to my death, I would think about how I grow sick even thinking about the cliffs and how I’ve lost so much of my hope and how it used to be that I could just turn off my brain. All of that, the dance, the joy, the loss, the fall makes my breathing go shallow and deep all at one, and I sit down hoping to regain my legs enough at least to walk for now where the ground is flat and even. |
©2015 John Brantingham