March 2015
I spent many years walking the deserts and climbing the mountains of Southern California. Now I spend time in the Eastern Forests from Maryland to Vermont and practice woodworking near the Anacostia River. I hold a PhD in Writing from the University of Houston. My poetry collections are The Structure of Desire (Little Red Tree 2012) winner of a 2013 Nautilus Award in Poetry, a chapbook, The Language of Birds (Finishing Line 2011) and a forthcoming collection, The Book of Maps. Recent honors include the National Hackney Literary Award in Poetry, Lindberg Foundation International Poetry for Peace Prize (in Israel), and Potomac Review Prize. My work has appeared in Atlanta Review, Asian Cha and Aesthetica. Currently I work in Washington, DC. and am an associate fiction editor at JMWW. More at: wflantry.com.
Editor's Note: When I came upon "Seed" in Valparaiso Poetry Review, I knew it would be perfect for Verse-Virtual. I wrote to W.F. Lantry for permission to reprint it — and the rest (including four more poems!) is history.
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Seed I lined the snowcapped rail with old seed. Strange birds descended through the frozen air and warmed themselves on branches robed in ice. Their feathers, amber, ringed with dark surrounds, held back this cold. My minor sacrifice, that seed, was all they knew. I felt aware through them of how the wind swept branches clear. I watched their shadows fade and reappear, and saw their wings spread out to the low sun. Dreaming of other places, of small storms passing through fenced-in forests, out of bounds to me, remembering how woven forms of branches wreathe those wingbeats as they spin in time, above our own limbs, and include within their dance the rhythm we pursued. And if both wings and branches capture grace but hold us half away, we can but gaze, sightless, as one who hears a silent sound. Delighted by its measures, we can praise the unknown source, distant, we can embrace the wing, the branch, the cold wind, and be freed. -First published in Valparaiso Poetry Review Visionary "Here, while good fortune and our youth allow..." ~Horace Look there: the forest, leafed now with its green exuberance of budding lobes renews itself and us whenever we can gaze with something like clear eyes on all its forms holding a moment in our sight, as if instants could last forever if we look closely enough: once, in a blizzard I descended a long slope much like this hill while snow clung to the windward side of boughs contrasting with rough bark of sycamores and saw her, brushing drifts away in blue— her scarf a wave of silk on the white shore— or once, in January, when the clear new wind had swept its coldest air across the polished granite of a harbored bench and she, in chiseled sunlight, clear as glass her sharp outlines defined by scrimshawed scenes leaned forward, as her jewelled eyes engaged my own a moment, burned to memory: if we walk now into this midspring wood where oak and locust merge their woven leaves creating hidden shade, and if she turns a moment towards me in her gold thread blouse, grant me clear eyes to hold her in my mind. “Visionary” first appeared in String Poet. Winter An old, grizzled poet, whose name one knows but can’t recall — you’d maybe recognize his books if I could bring titles to mind — stands reading from collages. His technique involves lifting from others: he would find a single line, or two, and improvise connections building stanzas easily. Outside, through plate glass windows, I can see among gray cross-hatched willow branches, snow just starting, swirling spirals formed of flakes wind-driven, beautiful against the bleak backdrop of leafless twigs. When wind shakes lithe branches whole limbs merge to chaos, flow with ice and wind in patterns, shadowed, bare. Inside, his voice continues. Unaware the storm’s already here, he recollects snippets of reading, everything he’s heard and thought to keep, the jewels he would seek: stanzas, rhythms, spare hints, a single word repeated gently, as one genuflects in reverence, at Politics & Prose. Shorelines I did not know her when my train traversed the marshes of her youth, the quiet Sound with east and west across the water, slipped in reverence by corniched houses or those summer gardens soon to fill with snow. I did not know those beaches had been hers, they seemed so foreign, not like ones I’d known in my lost years at windandsea: the long horizon without end, dark cliffs and swells that ran a thousand miles undisturbed to oleanders drinking up the spray hibiscus limed with salt. Our shaking earth seems even now so far from granite spurs it’s hard to see both on one continent. But we have these in common: sand and wind and stories half remembered pouring out in early afternoons, or late at night when sand and snow seem one in patterned drifts: black as her eyes the weathered granite glimpsed from moving windows or the western night her lips the red of ocotillos or of eastern august fireweed, and white as birch or desert willow her strong legs as she walks toward me in winter bloom. Against Horace Our snows arrive, winter roars on with ice, breaking old elms and smothering these paths, still altering the river and the earth and slowing our December interplay. Between North wind and drifts there is no dance. We were not born for this. Frost follows thaw condemning us to life within lit walls when all should be a blossoming. We knew but yesterday, Priapus in his realm, Venus in hers, parting the laurel hedge and St. Fiacre irrigating beds of roses, lilies, goldenrod: my love, who knows what sun will break above the ledge tomorrow, or what moon illuminates our lovemaking at dawn? Therefore, consume me with your ardor, passionately weave a tapestry of dancing limbs, our two bodies in motion, reminiscent while the earth outside, still and forgetful, cloaks all memories of spring beneath its snows. “Against Horace” first appeared online in Snakeskin. |
©2015 W.F. Lantry