March 2015
I am Marilyn N. Robertson, a Los Angeles poet. Although I have always read poetry, writing my own work has come more recently. For close to ten years, I have studied with the re-known poet, Suzanne Lummis. My work can be found in Speechlessthemagazine.org http://www.speechlessthemagazine.org/Robertson_WhatHappened.htm, The Boston Literary Magazine, in the online journal Capitol and Main, and I have a Poem of the Month for Writers at Work. 'Rubber Band' was a poem chosen in 2014 for Poetry in the Windows, a grant project of the Arroyo Arts Collective. I heard about Verse-Virtual recently and am excited to join a community of people devoted to artistic self-expression.
Editor's Note: I am thrilled to have discovered Marilyn's work on the Internet. In order to get in touch with her I wrote to Suzanne Lummis who forwarded my email to Marilyn. Thanks Suzanne and Marilyn!
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Scene at Dog Beach After our beach walk I see them pull up in a faded green Corvair. It doesn’t take me long to size him up. You leash the dog, he loiters, a big guy with thick wavy dark hair and a paunch. A cigarette dangles off his lower lip. The two of you have come to take the dog for a romp. He barks orders; you snap back. Your locks droop like hound's ears on your shoulders. An India print skirt wraps around your narrow hips. It’s true, you’re no beauty. You married him so you could walk down the aisle, like your friends. I've seen some women give it all away for a man-- type his papers, bake him pies, make do with boxed perms to save a few dimes only to get left like a penny on the railroad tracks. I say, dump him. Let him keep the dog. Dogs and guys—they get along. He’ll find someone else, probably already has, some bleached blonde willing to put up with his cheap couch, smoldering butts, grimy foam-ringed glasses, the TV blinking all night like a neon sign at an all-night diner. Oh, he might protest, when you leave, might even start to get rough... On second thought, you take the dog. Lipstick A bombshell it's not though it is part of the needed arsenal, a shiny black chamber trimmed in gold. On the road, the stoplight turns red. As she reaches for it, a tiny missile fires, crimson rises, worn on one side from so many intimate encounters with her mouth defining peaks, rounding curves, reflected now, a dew-fresh hue like a genie unleashed with power to confer a heightened allure, attraction that turns heads, magically changing red stop lights to green-- to green, oh no! The top is replaced in haste. A tiny accident takes place. Mashed, the missile makes a halting, bruised retreat, its power compromised, future transformations crushed. Message to Shoes We're not going for your flip-flopping, your tongue-flapping, your spiky man-made psychopathic pointy-toed pain. Fashion means little to us now. Get our toes out of jail. Animals have died for us. It's justice we're after. You've had miles of chances. Pinch us and you're dismissed. Rub us wrong, you fly to the top of discard mountain. But don't be put off by our calloused exterior. Support our aching arches. Cradle our soles. Where's Ken Languid, they show off their hard pointy breasts , bendable knees extended as they model her latest hand-sewn outfits, lounging in their mansion crafted from her old wooden blocks stacked across the Turkish rug. My daughter dresses them up to play girl, she explains, but if their golden hair becomes too tangled, she'll cut it off, dress them in sweats, alter the conversations. Once she buried one, dug it up-- Zombie Barbie. Today, for the first time, she announces that she wants a Ken doll, to be what, I wonder, a husband, brother, friend, a stranger lurking on a corner making offers? "After all," she says, "a girl can dress up just so long for other girls." Will she sew him manly outfits or cross dress him to spark creative new dialogs? "No," she sighs, "I want him because I'm just tired, every day, of making up excuses for where he is." Tough Bitch See how my stance shifts just so, how my hipbone juts? See how my wrist poses, languid, how my arm angles out? Observe how my fingers form two sharp spikes. Between them, I summon arson, my lips entrap, my cheeks hollow. Watch how I savor acrid tars, let them smolder, how I toss back my head then release, blow a hard little stream. “Get them before they get you,” my motto, voiced in a rasp my dark hair like a shroud over one eye. I watch, alert for that spot most tender. When I find it, I strike like cold lightening. Watch out! My crimson nails leave marks. I want to be a tough bitch. That’s right. Watch me do it. |
©2015 Marilyn N. Robertson