August 2015
Shortly before he was killed, my husband and I moved to a rattle-trap beach house on the peninsula in Long Beach. Going to sleep to the sound of the surf and waking to dolphins and pelicans sustained me through the almost unbearable grief. Making the place habitable gave me a task; writing gave me purpose. I am still here, loving the place, taking nothing for granted. www.donnahilbert.com
Author's Note: I often write about women from popular culture or literature who have influenced my life or work. My favorite female subjects come from my own family, particularly my lovely mother who died three years ago, and whom I miss every day. Mother always wanted to be a writer, but life got in the way. |
Mother in Satin On Saturday nights, my mother took off her blues jeans, put on a red satin dress with a wide circle skirt that swished when she danced. Or, a black brocade sheath dress with a peplum of white lace and rhinestone earrings that jangled like ice cubes. Or, to backyard parties, a pink waffle pique with a sewn-in brassiere and laces up the back. In springalator high heels, open at the toe, she twirled across the patio onto the grass, unwinding like a bolt of organza, her Tabu perfume simmering in the torchlight, she danced past the clothesline, past the built-in barbecue, past the ornamental fish pond, turning into herself for the night. -Deep Red, Event Horizon 1993 Queens I loved the flat sassy bodies of my paper dolls: movie queens, hands on hips, lips in a frozen pout, glamour pusses in tab-on fur capes. More, I loved cardboard Dale Evans, Queen of the Cowgirls, in her fringed suede jacket and high-strutting boots. Days, she rode Buttermilk roping outlaws with Roy. At sundown, when she clicked her spurs, buttermilk biscuits popped from her oven. She sopped them in syrup, fed them to Roy. Dale never got sticky, never dropped a crumb, never wore an apron, was never jealous of Trigger who shared their bed whinnying and snorting till sun up. -Transforming Matter, PEARL Editions, 2000 Mother Tongue My mother tongue unrolls along the red dirt plain: slow, tacky, unfolding like the dream that catches everything. My red mother tongue unrolls in rows of cotton, alfalfa, fields of wheat, and in the green water of the silty river. And in the back yard on a summer’s night, in grass thick with chiggers, red ants, stickers. My slick mother tongue switches legs for talking ugly, pitching a fit, throwing a hissy. My slick red sticky mother tongue can lick any little pistol, and keeps the ring-tailed tooters toeing the line. -Deep Red, Event Horizon, 1993 Catching Her Dance Mom looks straight at me through too-big glasses, hands a blur like birds in flight. She’s Chattanooga Choo-Choo-ing throughout the house to get me off her back, prove she can still move, if she feels like moving. I grew up watching her dance across the slick linoleum of our kitchen floor to In the Mood and other tunes from her teens and World War II. I try to catch her dance on video, but my phone is new and I don’t know much about the camera. What I am left with is this awkward still shot, snapped the moment she orders put down that cell phone, Junie, and watch me dance! -Chiron Review, Spring 2015 Gravity What binds me to this earth are the hands of my children, as I hold my mother holding her mother back to the mother who begat us all. This is gravity. This is why we call the earth Mother, why all rising is a miracle. Deep Red, Event Horizon, 1993 |
©2015 Donna Hilbert