April 2015
I worked for 25 years as an iron ore miner, steelworker, and laborer, am active in social struggles (black lives matter!), and enjoy fishing and traveling with my wife, Barbara Greenway, a soon-to-be retired English teacher. Recent poetry appears in Salmagundi, River Styx, Saranac Review, The Moth (Ireland), and others. My books are JOHN HENRY'S PARTNER SPEAKS (Word Tech) and WORKING HERE (Rooster Hill Press, Minnesota State University). I am finishing a novel based on the lives of the sandhogs who dug the Holland Tunnel in New York City. My upcoming chapbook from Finishing Line Press will include this and other poems based on Bellows' art. For more about me check out my website www.DSalner.wix.com/salner or shoot me an email. Thanks for your interest in my poetry!
Editor's Note: This is the first in a monthly series of poems by David Salner based on the paintings of George Bellows.
A Sea Like This
After the painting, The Big Dory, by George Bellows, 1913
After the painting, The Big Dory, by George Bellows, 1913
Like frightened turtles, these sturdy men
hunch their necks into their collars,
turn inward, so they might find
shelter inside themselves—or an excuse
for not pushing the heavy dory out
into the wind. Maybe some repair undone,
the rigging still a tangle of rope
and icy brine. But they find no excuse,
and what they fear, that line of purple clouds,
still faces them. They know how thunderheads
emerge from distant hints, darkening breakers,
sweeping them with sulks and shadows.
The sea will simmer and rise, exploding
from its bowl of shifting sand ... But now,
these ruddy men have jumped on board
and rowed into the inlet, and from the look
on each red face, each face of these nine men,
they're hating every second in this wind
shifting to gale. Yet they've pushed off
as if so ordered. But who would order it,
who among us, to send nine fishermen
into a sea like this, to fetch a dollar home,
a dollar for their catch? We see them disappear
into a haze beyond our calling, as they ride out
upon a timeless swell. And our last sight
tells us not of any terror they might feel
but of a boyish inkling they've been caught
in the act of realizing, a little late,
this is something they should not have done.
-first published in Hamilton Stone Review
George Bellows (1882-1925)
©2015 David Salner