September 2014
I am a pop art painter, novelist and contemporary poet. My artwork was featured in Art in America, Art News, and Interview Magazine and has sold at auction at Christie’s. I was commissioned by Absolut Vodka to make a painting titled “Absolut Jenson” for the brand’s national ad campaign, and my “Marlboro Man” was collected by the Philip Morris corporation. I was commissioned to paint the final portrait of the late Malcolm Forbes. I also wrote two novels, Dead Artist and Seeing Soriah, both of which illustrate the creative and often dramatic lives of artists. I turned to poetry as an outlet for artistic expression, and I am widely published (with over 450 poems published in the US, UK and Europe) in a variety of literary media. A book of my poetry was recently published by Hen House Press titled Media Child and Other Poems, which can be acquired on Amazon. I am also thrilled to announce that two new novels I have written entitled Marketing Mia and Erotic Rights will be published hardcover and will be available for purchase at bookstores nationwide. My website is: www.IvanJenson.com
Mass-Market Man
my potential
has just now
been tapped
on its shoulder
by the manicured
fingertips
of opportunity
and so far
lousy luck
has not tripped me
before
I step up
to the podium
and give my
sappy speech
where I thank
the lucky breaks
which stopped
my advance
toward the doom
and the greasy grind
of slinging burgers
under the yellow
arches of mediocrity
brain frozen
from sipping
iced compromise
and all this
bliss is happening
because
I reached inside
to my source
shared it
and discovered
that the interpersonal
hush of
secrets
once revealed
are always universal
Woman with Blue Hair
1986, 48 x 60, acrylic on canvas
1986, 48 x 60, acrylic on canvas
Ambulance Chaser
bypass the heart attack
and don't go out
in that broad stroke
of genius
known as
sleeping through
your own death
instead go out
surrounded by
jugglers who go
for your jugular
or go out
on a limb
limber as a gymnast
until the branch
breaks then
fall with the
autumn leaves
and land with a thud
on the auburn crud
or better yet
lose a game
of strip poker
slash
Russian roulette
and die in a
naked
bloody Peckinpah
pirouette
then writhe
on the floor
only to extinguish
your existential
anguish
with
one
more
silver
bullet
The Ecstasy of Agony
I am tired of going
the extra smile
and giving two
hundred percent
while the next
guy gets where
I'm trying to go
by the skin
of his generic
genetic attributes
just for once
I would like to have
the asymmetrical
advantage at that
cocktail competition
otherwise known
as happy hour
where the
natural selection
is made
and those
who have inherited
that look of wind
in their hair
go home
flanked by
the checkmate
of femininity
while the rest
of us guys know
too well
you can go home
alone again
The Marlboro Man
1989, 38 x 38, acrylic on canvas
1989, 38 x 38, acrylic on canvas
Affection Deficit Disorder
half the time
everything happens
over my head
or under someone's breath
out of earshot
around the corner
where now meets
then
and the most
important messages
I get are delivered
in a whisper
or by the stroke
of luck that we all
call the
trigger-point therapy
of touch
but when
important data
containing the
life-saving minerals
found in love
are lost
then you will
find me scrounging
the quantum physical
realm most commonly
known as
totally bumming out
Raising The Bar
hey, old-timer,
come over here
I know this quaint
off the beaten track
little hole in the wall
dive where you
can really let your
hair down
and shoot
some pool
do shots
and get a pint
of dark Ale
and listen
to cranked up
Van Morrison
tunes
played by
a vintage
junky
jukebox
and if you
get too
inebriated
there is a
Tavern Inn
upstairs
where you
can crash
and kick
your feet up
and they
serve a
complimentary
continental
breakfast
all day,
everyday
till eternity
Hell, didn't
anybody tell you
Heaven
was going
to be like this?
John Lennon
1987, 40 x 60, acrylic on Canvas
1987, 40 x 60, acrylic on Canvas
Culture Shock and Awe
we are all part
John, Paul, George
and Ringo
though some of us
are far more
Peter, Paul and Mary
others
are simply Simon
and Garfunkel
and we should all
sow our Hall and Oates
while staying
Laurel and Hardy
about the Abbot and Costello
slapstick shtick
of it all
and remember
we will not be
Crosby, Stills, Nash
and Young forever
so it is best
to Sonny and Cher
our moments
while we can
before we break
apart like the atoms
of the Addams Family
for aren't we
just spinoffs
of Sanford
and Son
and the Holy Ghost?
Seriously Chill
there is no one
following you
tapping your phone
much less checking your
boring browser history
there is no biographer
attempting to unearth
the dirt underneath
your fingernails
as you scratch your head
wondering how you
failed to crack the code
of some golden goose's
egg
nor is their a gonzo journalist
going commando
at their laptop
to get the viral
scandalous scoop
on you
and the illuminati
is not conspiring
to cover up their
tracks behind
those that talk
about you
behind your back
the truth is
even the tooth
fairy gave up on
you long ago
check under your pillow
and you will
see I'm right
Lady Liberty
1998, 24 x 30, acrylic on Canvas
1998, 24 x 30, acrylic on Canvas
Crowd Control
I am shackled to my
freedom and
I am tethered to
the feathers of my
flights of fancy
I get antsy
if I am forced
to sit in one place
facing some face
that is attempting
to place me in
a cubicle or a box
and I rebel against
those who will
define me
with refined
labels that
I duly rip off
leaving my lapel
torn
and you will only
see me conform
when I stand in line
at the movies
perchance
to sit in the darkness
with the popcorn dreamers
all of us coked-up on Pepsi
unknowingly puckering our lips
when the Hollywood stars are aligned
for a kiss
The author with his painting, van Gogh,
©2014 Ivan Jenson